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Jewish Arts, Culture, Stars&Entertainment Section.
P4. August 2005
By Maximillien de Lafayette,
Editor-in-Chief of the World Jewish News Agency, Senior Art Critic of the
International Herald Daily news
http://www.internationalheralddailynews.org
and World Art Celebrities Journal
http://www.worldartcelebritiesjournal.com
 SPECIAL
FEATURE ARTICLE: AMERICA'S 100 GREATEST
JEWISH WOMEN. BY MAXIMILLIEN de LAFAYETTE.
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full article and see their photos!
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PREVIOUS EVENTS



FILM
CONCERTS
DANCE
EXHIBITS
THEATER
VIDEO
MEMORIALS

MAJOR LECTURES, DISCUSSIONS
& CONVERSATIONS
Lecture:
Gertrude Stein: Woman of Faith? Presented as Part of “A
Season of Contemporary Salons”.
Tuesday, November 1, 7pm, Boston College, Devlin 101, 140
Commonwealth Avenue, Chestnut Hill, MA
Photo: Portrait of
Gertrude Stein by
Pablo Picasso,
1906,
The New Center for Arts and Culture, the Boston College McMullen Museum of Art,
the Jewish Studies Program at Boston College and the Lowell/ Humanities Lecture
Series on the occasion of the exhibition The Power of Conversation: Jewish Women
and their Salons. This a lecture about Gertrude Stein by Catharine R.
Stimpson, University Professor and Dean, Graduate School of Arts and
Sciences, New York University. Direction: B branch of the MBTA Green Line to the
Boston College terminus. For directions or parking see
www.bc.edu.
ADMISSION: The lecture is free, open to the public and is handicapped
accessible. FOR MORE INFORMATION: “A Season of Contemporary Salons” is listed on
the web at
www.ncacboston.org. For
information please call 617-558-6447. About the New Center: Sponsored by
Combined Jewish Philanthropies and the Jewish Community Centers of Greater
Boston, The New Center for Arts and Culture is a cutting edge intellectual and
cultural hub that explores societal change through the arts and culture to
create common ground in the diverse world of the 21st century. The New Center
recently celebrated its designation to build a facility on the Rose Kennedy
Greenway in Boston. Based on creative partnerships, it has produced breakthrough
events including the highly successful WORDS ON FIRE series in 2003 and the
first reading of Robert Brustein’s new play SPRING FORWARD FALL BACK
in 2004. THE POWER OF CONVERSATION is its third venture in providing
outstanding programming for the Greater Boston community. Calendar Listing. For
more information contact: Edwina Kluender, Harron & Associates, 617-267-7366
edwina@harronandassociates.com
GERTRUDE STEIN
Photo
:Gertrude Stein, photographed by
Carl Van Vechten, 1934.
Born in
Pittsburgh's old
Allegheny, Pennsylvania suburb (annexed by
Pittsburgh in 1907), her family moved to
Vienna
and then Paris
when she was three. After returning almost two years later, she was
educated in
California, graduating from
Radcliffe College in 1897 followed by two years at
Johns Hopkins Medical School. In 1902 she moved to
France
during the height of artistic creativity gathering in
Montparnasse. From 1903 to 1912 she lived in
Paris with
her brother Leo, who became an accomplished art critic. Stein, a
lesbian,
met her life-long companion
Alice B. Toklas in 1907; Alice moved in with Leo and Gertrude in 1909.
During her whole life, Stein was supported by a stipend from her brother
Michael's business.She and her brother compiled one of the first
collections of
Cubist
art. She owned early works of
Pablo Picasso (who became a friend and painted her portrait),
Henri Matisse,
Andre Derain plus other young painters.When England declared war on
Germany in
World War I, Stein and Toklas were visiting with
Alfred North Whitehead in England. They returned to France and
volunteered to drive supplies to French hospitals; they were later honored
by the French government for this work.By the
1920s her
salon at 27 Rue de Fleurus, with walls covered by avant-garde
paintings, attracted many of the great artists and writers including
Ernest Hemingway,
Thornton Wilder,
Sherwood Anderson and
Georges Braque. She coined the term "Lost
Generation" for some of these expatriate American writers. Extremely
charming, eloquent, cheerful and overweight, she had a large circle of
friends and tirelessly promoted herself. Her judgments in literature and
art were highly influential.Ernest Hemingway describes how Alice was
Gertrude's 'wife' in that Stein rarely addressed his wife, and he treated
Alice the same, leaving the two "wives" to chat. Alice was four foot
eleven inches tall, and Gertrude was five foot one inch (Grahn
1989).Politically, Gertrude Stein has been described as a conservative
fascist; she regarded the jobless as lazy, opposed
Franklin D. Roosevelt and his
New Deal
and supported
Francisco Franco in the
Spanish Civil War. She would later start a project of translating
speeches by
Vichy regime leader
Pétain into English. Contrastingly, Judy Grahn (1989) describes her
as, "a 19th Century Republican, in her manners and manner of speech she
was Victorian, socially was more liberal than not, with developed
individualism coupled with democratic values based in pragmatism; thus at
the opening of the German occupation of France she favored collaborative
Vichy government, but by the end she did not, having witnessed firsthand
the hardship it brought to the peasants." (p.140-141). With the outbreak
of
World War II, Stein and Toklas moved to a rented country home in
Bilignin, Ain,
in the
Rhône-Alpes region. Referred to only as "Americans" by their
neighbors, the Jewish Gertrude and Alice escaped persecution probably
because of their friendship to
Bernard Faÿ, a gay collaborator with the Vichy regime with connections
to the
Gestapo. When Bernard Faÿ was sentenced to hard labor for life after
the war, Gertrude and Alice campaigned for his release. Several years
later, Alice would contribute money to Faÿ's escape from prison.After the
war, Gertrude's status in Paris grew when she was visited by many young
American soldiers. She died of stomach cancer in
Neuilly-sur-Seine, Paris on
July 29,
1946 and was
interred there in the
Père Lachaise cemetery. When she was being wheeled into the operating
room for surgery on her stomach, she asked Toklas, "What is the answer?"
When Toklas did not answer, Stein said, "In that case, what is the
question?" Stein named writer and photographer
Carl Van Vechten as her literary executor, and he helped to usher into
print works of hers which remained unpublished at the time of her death.
Text: Wikipedia.

Catharine R. Stimpson,
B.A.; B.A., M.A. [Cantab.], PH.D.; HON: D.H.L., HUM.D.,
LITT.D., LL.D., Dean, Graduate School of Arts and Science
Catharine R.
Stimpson was appointed dean of NYU's Graduate School of Arts and Science
in 1998 and is a University Professor. Prior to her arrival at NYU,
Stimpson was director of the MacArthur Foundation Fellows Program. She
has also served as University Professor at Rutgers, where she was also
dean of the graduate school and vice provost for graduate education from
1986 to 1992. She also is a former chair of the New York State
Humanities Council and the National Council for Research on Women, and
president of the Modern Language Association. She was the first director
of the Women's Center of Barnard College and of the Institute for
Research on Women at Rutgers. Stimpson's many publications include the
book Where the Meanings Are: Feminism and Cultural Spaces and the
Library of America's Gertrude Stein: Writings 1903-1932. The
author of a novel, Class Notes, she is the editor of seven books
and has published over 150 monographs, essays, stories, and reviews in
the Transatlantic Review, The Nation, The New York Times Book Review,
Critical Inquiry, boundary 2, and others. She was the founding
editor of Signs: Journal of Women in Culture and Society for the
University of Chicago Press. Stimpson has received a Rockefeller
Humanities Fellowship and has also been a Fulbright Fellow and Woodrow
Wilson Fellow. She has received grants from the National Endowment for
the Humanities, the National Humanities Institute, the Lilly Foundation,
the Department of Housing and Urban Development, the Rockefeller
Foundation, the Exxon Foundation, and the Ford Foundation. Stimpson
holds a B.A. from Bryn Mawr (1955), a B.A. and M.A. from Cambridge
University (1960, 1966), and Ph.D. from Columbia (1967).
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Lecture:
Breaking Ground by Daniel Libeskind Presented as Part of “A Season of
Contemporary Salons”.
Wednesday, November 9,
7-8pm At the Museum of Fine Arts, Boston, Remis Auditorium.
Photo:
Daniel Libeskind.
Presented by The New Center for Arts and Culture presented in partnership with
the Museum of Fine Arts on the occasion of the exhibition The Power of
Conversation: Jewish Women and their Salons. This is a discussion with architect
Daniel Libeskind and architecture critic Robert Campbell. Building
on the concept that "A great building, like great literature or poetry or music,
can tell the story of the human soul," Mr. Libeskind will reflect on the role of
architecture in creating good cities, its relationship to who we are, and his
own iconic approach to public space. His first project in Boston will be the
future home of The New Center for Arts and Culture, on the Rose Kennedy
Greenway. Wednesday, November 9, 7-8pm At the Museum of Fine Arts, Boston, Remis
Auditorium. ADMISSION: Tickets: $15 – members, $18 – non-members. Order Tickets:
On-line- www.mfa.org, phone- 617-369-3306. FOR MORE INFORMATION: Presented in
partnership with Museum of Fine Arts, Boston “A Season of Contemporary Salons”
will be listed on the web at
www.ncacboston.org For
information please call 617-558-6447.


Some of the masterpieces of
Libeskind: From T to L: #1. Graduate Centre, London Metropolitan University by
Studio Daniel Libeskind. #2. Danish Jewish
Museum (2003-2004)
A Conversation Making the Dance Presented as Part of “A Season of Contemporary
Salons”.
Thursday, November 10, 6:30pm -8:00pm, At The Boston
Center for Adult Education. For directions or parking see
www.bcae.org
The New Center for Arts and Culture and The Boston Center for Adult Education on
the occasion of the exhibition The Power of Conversation: Jewish Women and
their Salons. This is a conversation - The artistic director, choreographer,
and founder of José Mateo's Ballet Theatre has developed the only dance
organization in New England to produce an entire repertory of original works by
its own resident choreographer. Join him and members of his company to learn
about the process of creating a dance. How does the choreographer create the
dance? What determines the form a dance will take? ADMISSION: Tuition: $15.
Register online at www.bcae.org or by calling the Boston Center for Adult
Education at (617) 267-4430.. FOR MORE INFORMATION: “A Season of Contemporary
Salons” is listed on the web at
www.ncacboston.org . For
information please call 617-558-6447. About the New Center: Sponsored by
Combined Jewish Philanthropies and the Jewish Community Centers of Greater
Boston, The New Center for Arts and Culture is a cutting edge intellectual
and cultural hub that explores societal change through the arts and culture to
create common ground in the diverse world of the 21st century. The New Center
recently celebrated its designation to build a facility on the Rose Kennedy
Greenway in Boston. Based on creative partnerships, it has produced breakthrough
events including the highly successful WORDS ON FIRE series in 2003 and the
first reading of Robert Brustein’s new play SPRING FORWARD FALL BACK in 2004.
THE POWER OF CONVERSATION is its third venture in providing outstanding
programming for the Greater Boston community.

Film: Thunder in
Guyana Presented as Part of “A Season of Contemporary Salons”.
Thursday, November 17, 7pm,
At Boston College, Devlin 026, 140 Commonwealth Avenue, Chestnut Hill, MA.
Boston College Film
Studies Program and the New Center for Arts and Culture on the occasion of the
exhibition The Power of Conversation: Jewish Women and their Salons. “Thunder in
Guyana” a film and a discussion following screening with director, Suzanne
Wasserman. Janet Rosenberg Jagan became the first American-born woman
to head another nation when she was elected President of Guyana in 1997. With a
unique perspective as an historian and as a relative, her cousin Suzanne
Wasserman interweaves threads of her family’s history to tell Jagan’s incredible
life story and explores the complex history of the little understood country
that became her adopted homeland. ADMISSION: The film is free, open to the
public and is handicapped accessible. FOR MORE INFORMATION: “A Season of
Contemporary Salons” is listed on the web at
www.ncacboston.org For information
please call 617-558-6447
Thunder
in Guyana.
A film by
Suzanne Wasserman,
2003, 50 minutes. Color/BW, US.
THUNDER IN GUYANA is the remarkable tale of
Janet Rosenberg, a young woman from Chicago who married Guyanese activist Cheddi
Jagan, and set off for the British colony to start a socialist revolution. For
more than fifty years, the couple fought tirelessly to liberate the country from
colonial rule and exploitation—despite battering by the international press,
imprisonment and the intervention of world figures including Winston Churchill
and John F. Kennedy. Free and fair elections were instituted in the early 90's,
and Janet Rosenberg-Jagan was elected president of Guyana in 1997, the first
foreign-born and first woman to serve in the role.
Historian Suzanne Wasserman (Rosenberg’s cousin) creates a rich historical
portrait combining interviews with friends and family, excerpts from Janet’s
letters, archival photographs and footage, and video captured during Janet’s
dramatic presidential campaign. The film illuminates the life of an
extraordinary woman and the complex history of the little understood country of
Guyana.
-
Chicago Latino Film Festival
-
Gene
Siskel Film Center of Chicago
-
Myhelan Indie Film Festival - Best Documentary
-
IFP/Film
Society of Lincoln Center "Independents Night"
-
Margaret Mead Film Festival
-
San
Francisco, Washington, and Montreal Jewish Film
Festivals
-
Boston Jewish Film Festival - Best Documentary Audience
Award
-
CINE
Golden Eagle Award
Photo:
Janet with PPP supporters in Georgetown, 1953.
Janet Rosenberg was born and raised in Chicago, Illinois. In 1942,
23-year-old Janet met and fell in love with a handsome man from a South
American country no one in my mother’s family even knew existed. Born in
the tiny colony of British Guiana (Guyana after 1966),on South America’s
northern coast, Cheddi Jagan was the son of East Indian immigrant
indentured sugar plantation workers. She was a nursing student at Cook
County, he was a dental student at Northwestern University and they were
both involved in radical politics. They married in 1943 despite the
strenuous objections of her Jewish and his Hindu parents. Together, they
planned to go to British Guiana as socialist revolutionaries to fight for
independence. Janet’s father, my great-uncle Charlie, threatened to shoot
Cheddi on sight; my great-grandmother had a stroke. Considered the
founders of Guyana, Janet and Cheddi Jagan spent the next half century as
political leaders of the country. In 1950, they founded the multi-racial
People’s Progressive Party, the first modern political party in the
colony. In the historic election of 1953, the first election that provided
for universal adult suffrage, Cheddi was elected Chief Minister and Janet
was elected the country’s first female minister and deputy speaker of
parliament. Janet made international headlines that claimed "Guiana Red
Line Laid to Chicago Born Blonde." Called the "Second Eva Peron" and the
"Woman in White," another article claimed "Parents Describe Girl as 'Storm
Center of Guiana."

To her own parents, Janet sent
a Western Union telegram that read "Cheddi, myself and Party won
overwhelming victory." They governed for 133 days, until British Prime
Minister Winston Churchill deposed them. They both served time in jail and
under house arrest. Remaining the most popular leader in the colony,
Cheddi Jagan was re-elected and became Prime Minister in 1961. This time,
the Kennedy administration intervened. The CIA instigated labor
unrest, disinformation and race riots that left hundreds dead or injured.
With pressure from the United States, Britain, in 1964, pushed through
constitutional changes that made it impossible for Jagan to retain power
despite his continued popularity. In the first free and fair elections in
almost three decades, Cheddi Jagan was sworn in as President of Guyana in
1992. In the winter of 1997, he passed away. Despite reluctance, Janet
agreed to accept the Presidential nomination of her Party. On December 15,
1997, she was elected President of Guyana. The first foreign born and
first woman to serve this role, many consider her the mother of the
nation. Far from being a simple biography of an unconventional woman, this
film seeks to interweave the threads of my family’s history, Janet’s
incredible life story and the complex history of the little understood
country of Guyana. This will be accomplished through my unique perspective
as an historian and as a relative.
What the critics said and wrote:
“An amazing story, compellingly told.”
Mike Wallace, Distinguished Prof of History, John Jay College
& Pulitzer Prize-winning writer.
"Suzanne Wasserman's film,
THUNDER IN GUYANA, offers a useful and intriguing perspective on aspects of
Janet Jagan's life and contributions in terms of Guyanese society… the film
raises valuable questions about the complications of identity. "
Veronica Gregg Africana and Puerto Rican-Latino Studies,
Hunter College. "THUNDER IN GUYANA is a
stirring and poignant study of sustained political commitment and its
consequences. How an American Jewish woman improbably became the head of state
of a decolonizing Latin American nation is the stuff of legend, and director
Suzanne Wasserman has made a truly engrossing film that weaves this saga into
contemporary history.”
Stephen J. Whitfield, Professor of American Studies, Brandeis
University.
“THUNDER IN GUYANA is a moving video tribute
that should be seen by anyone interested in learning about anti-colonial
struggles, radical ideas and the strength and power of one extraordinary woman
to transform the world.”
Steve Brier, Filmmaker and Historian
Suzanne
Wasserman.
Suzanne Wasserman has a Ph.D. in American History from New
York University. She is the Associate Director of the
Gotham Center for New York City at the City University of
New York, Graduate Center. She is also an historical
consultant on Ron Howard’s forthcoming film, Cinderella
Man, starring Russell Crowe. Wasserman lectures, writes
and consults about New York City history, especially the
history of the Lower East Side. She has published widely
on topics such as the Depression, Jewish nostalgia,
housing, restaurant culture, tourism, pushcart peddling,
the Jewish silent screen actress Theda Bara and 19th
century saloons. She has taught courses in Museum Studies,
Women Studies, Urban Studies, American History and World
History. She has worked as a public historian on projects
for the Jewish Museum, City Lore, the Tenement Museum,
Henry Street Settlement, Clio, Inc. and Steeplechase
Films. Thunder in
Guyana is her first film. She wrote, directed and
produced it. She received grants for the film from the
director John Sayles, New York State Council on the Arts,
NY Women in Film and Television, the Samuel Rubin
Foundation and others. The film is distributed by Women
Make Movies
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PUBLISHER: MAXIMILLIEN de LAFAYETTE
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BY DE LAFAYETTE WORLD MEDIA

 THE
WORLD'S BEST HOTELS, SPAS AND RESORTS
RUBBISH:WORST SHOWS &
WORST IDEAS
NEW YORK'S WORST SHOWS AND
GALLERIES' PRESENTATIONS
DANIELLE WEBB AND BAUMGARTNER GALLERY: BIG DISAPPOINTMENT
Because they are so childish, meaningless and without substance, briefly
mentioning this month New York's art shows is more than enough. The most
catastrophic and ridiculous ones were "religiously and fanatically" sheltered
by Baumgartner Gallery, Marianne Boesky Gallery and the D'Amelio Terras group.
Danielle Webb's show at Baumgartner Gallery on 522 West 24th Street, is a
joke. Perhaps an insult to art. The wise curator and propaganda wizard at
Baumgartner described Webb's work as an innovative and unusual artwork. The
brochure contained this statement "the pictorial landscape has long been a
ground on which the shifting modes of philosophy, social order, sensibility,
and individuality have been projected. Danielle Webb's work uniquely updates
this tradition." I did not see or sense any social order, sensibility or a
lesson in philosophy in the mediocre and amateurish work of Webb. Her "unique
creativity" consisted of childish drawings, filled with holes like a rotten
Swiss cheese, covered with cold and uncoordinated colors. Rating: Zero star
out of five. Don't waste your time. Besides, the curators and management
team of that gallery are as cold as Webb's work. The guy who introduced
himself to me as Mr. Baumgartner looked like a mortician who needed 5 face
lifts. He probably never heard of hospitality, warm rapport with visitors and
savoir-faire.
CHINATSU BAN,
BOESKY, AMY GLOBUS AND TERRAS FAIL AGAIN
Two more failed art shows: 1-Chinatsu Ban at Marianne Boesky Gallery on 535,
West 22nd Street. Make a big U turn. It is not worth it. Art immaturity which
has been jargonized as "religious urgency" and "salvation". 2-Amy Globus:
Sculpting in Time, presented by D'Amelio Terras is a mockery of art and an
insult to civilized esthetics or to any meaningful art medium. Rating: Zero
star out of five. Next time, Baumgartners, Terras and Boesky should ask Rick
Prol and Jan Lynn Sokota to curate and cure their forthcoming shows! And if
they need more intelligentsia and avant-garde flair, Dr. Joseph Nechvatal
could come to the rescue.
WORST
PAINTINGS OF THE WEEK, COURTESY OF CHERYL PELAVIN GALLERY.
New York is full of
talented and over-exposed artists. In many instances, the blame is to be
thrown not on the artists but on galleries owners and curators who display
their art. This week, the ugliest, meaningless and worst paintings belong to
Alex Yudson and Andrea Belag. Both artists exhibit
at
Cheryl Pelavin gallery. Although, they are categorically rubbish, they still
go for $2,800. This explains the absurd esthetic distortion hovering over
the Pelavin gallery.
Photos from L to R:
#1 Andrea Belag's Untitled, 2003, 29 x 24 inches, monotype, $2,800. #2.Alex
Yudzon, Snake, 2004, 10 x 8 inches, Oil on Canvas.
"Insanity Reigns : Laurel Lueders"
Photo: Laurel Lueders' Dead End. From Brunei Gallery's "After
Hiroshima...Nuclear Imaginaries". On exhibit until September 24, 2005
For the first two
weeks of August at Gallery Twenty-Four, through projections and photographs,
the American artist, Laurel Lueders confronts the Bush Administration,
particularly its unilateral "pre-emptive" war policies. The images symbolize
power from above as it abuses the powerless below. Accordingly, the first
series of projections, "Subjugation" depicts secretive abuse. The
second installation, "When Reason Sleeps, Nightmares Occur" consists of
multiple projections which foresee disastrous violence emerging from the
apocalyptic insanity of an evangelical cowboy king. He is featured in the
center of the digitally printed "Insanity Alterpiece" as "Insanity Reigns:
King of the Cowboys" and is flanked by panels of abuse on the left,
"Insanity Reigns" and death on the right, "Insanity Rains". Immediate
reference to warfare in Afghanistan and Iraq notwithstanding, Lueders'
overall exhibition reflects world history in general and its tragic
universality, making Berlin the perfect backdrop for this impressive and
powerful exhibition. The installation will be modified to utilize the
exhibition space of GALLERY twenty-four and its underground cellar, a former
air-raid shelter during the allied bombings of Berlin during the Second
World War.
ART REALITY TV
SHOW? JEFFREY DEITCH'S "ARTSTAR" PROJECT: A JOKE OR HUMILIATION? PERHAPS,
BOTH!
Photo: Turkey of the year, New Yorker Jeffrey Deitch.
New Yorker
Jeffrey Deitch, a self-proclaimed art critic, art expert, art judge, and art
everything is working on a crazy, grotesque and perhaps incomprehensibly
clever project. An art reality show! To the well "established" art
connoisseurs, academicians and experts in the field, Deitch's TV program
(still an idea in its infancy) is either a joke or a mockery of art, par
excellence. But, to the starving artists in New York, Deitch's ambitious plan
might work. In fact, it began to work in a very bizarre way on and in the
streets and sidewalks of New York city. Struggling and desperate artists dying
for recognition, an exposure, even a brief one, a career boost, a buck or two,
were lined up in the streets, on the sidewalks and around the corners of
Green Street and Grand Street in SoHo, New York City. Approximately 200
artists stood there, in the streets, shivering and trembling, just to get
noticed by Pope Jeffrey Deitch the First! An ad infinitum human lines and
queues of artists carrying, holding and grabbing all sorts of art tools,
canvases, slides, figurines, statuettes, sketches, negatives, prints,
photographs, pictures, screens, albums, mini-installations, video clips,
clopins-clopants... and themselves.!
All this
human Caravan -Serail drama of artists reminded me of those miserable Russian
peasants from Kiev and Omsk begging for a piece of bread outside the Tsar and
Tsarina imperial palace. And Tsar Deitch loves the view. He felt very
important. He thinks, he is en route to become the new Trump of Art Reality TV
Show. Why to blame Deitch et al and why to accuse them of "humanistico-sadistico-artistico
atrocity? Deitch's gang and entourage are shrewd, brilliant, pompous, arrogant
and wise entrepreneurs. Blame the artists; the modestus, ignoramus,
miserablemus creative geniusesmus who willingly accepted to be humiliated by
Jeffrey Dietch.
Photo:
"My America", by Jeffrey Deitch. Deitch Projects. The art world of Jeffrey
Deitch is more than decadence. It is outrageously vulgar and uglissimo! You
are looking at Deitch's poster for Zhang Huan nudes calendar.
They brought
on themselves a self imposed, self welcomed indignation and humiliation.
Deitch himself seems to admit this. In a statement given to the New York
Times, Deitch said :"In the 1970's when I started in the art world, no
self-respecting artist would have stood in line to try to get on a television
show...It never would have happened." Deitch knows the deal on the wheel!
Deitch is a tough cookie. A very hard one. Educated but probably not very
cultured, Deitch is not that lovable and likable guy. "He is a difficult
specie" told me an artist in New York. "Very hard to work for this guy", said
one person who allegedly worked for Deitch. But why in heavens, these
avalanches of souls and desperate artists stood and waited in the streets for
hours and hours, under the rain and in the snow, some slept overnight in hard
board boxes left by food delivery trucks on the streets sidewalks? Randy
Kennedy explained the whole bizarre phenomenon :"But it led into a cavernous
gallery where artists would be given a few precious moments to show their work
to a panel of judges, including Mr. Deitch, and compete for the chance to land
one of eight spots on the television show, which is being made as a pilot and
will include seven more episodes if it is picked up. (The pilot was being made
for Voom HD, a high-definition satellite network whose fate now appears
uncertain, but the show's creators say they will present it to other
networks.) The artists who are selected will be given a group show at Deitch
Projects. And in the true spirit of reality television, one could emerge as
the big winner and be given a solo show at the gallery, which has shown such
established art stars as Mariko Mori and Jeff Koons."
Sperandio, Fuentes and other executives at the Deitch's gallery claim that,
selected artists will not be asked to share a common habitat. They do not have
to live together and compete like Joe Millionaire. No extra prerequisites are
asked. And now, what to expect?
Photo:
The art world of Jeffrey Deitch is more than decadence. It is outrageously
vulgar and uglissimo! You are looking at Deitch's poster for Zhang Huan nudes
calendar.
Deitch's art reality show is destined to fail, for it started as a degradation
of art and as a public display of mocking the dignity of New York artists. It
is more than a vulgar joke. It is a silly, egoistic and his
Holiness Pope Deitch's self-serving propaganda tailored to please those
who still need three centuries of rehearsals to become refuse snobs. The
French would add to my article "Au Suivant!", meaning: NEXT! I enjoyed reading
what Charlie Finch (Finch is co-author of Most Art Sucks, Five Years of
Coagula, 1998) wrote about Deitch (Posted at Artnet website). I love to
share some excerpts with you. Here are some "And there was Jeffery Deitch
himself, at the Whitney Biennial, passing out invitations to one and all for a
big grubfest at an empty Park Avenue bank branch, a happening Deitch repeated
two nights later, reportedly bankrolled by bigtime L.A. collector Kent Logan.
Ingrid Calamé's ethereal tracings (apparently so hands-on and really
fabricated by a student crew of seven) opened at Deitch Projects on April
Fool's Day to the applause of many Japanese collectors present, while Deitch
restocked his cash-and-carry outlet across Grand Street with inventory by Liza
Lou, Jeff Koons, Teresita Fernandez and Vanessa Beecroft. Upcoming spring
shows include Zang Huan's Nude-In featuring all buff members of the
Seattle art community and the aforementioned Beecroft's installation at the
Intrepid Aircraft Carrier Museum.
For a guy who
agonized for ten years before opening a gallery in the mid-'90s, Deitch
appears to blanket Gotham like Batman, mysterious, omnipresent and maybe a
little nuts. Never popular with his fellow art dealers, to say the least,
Jeffrey remains the target of wild speculation among them.

Photo:
Extras auditioning in the nude for Saatchi Show in London. Approximately 150
participants took part in the nude auditions. And in New York City, more than
200 starving artists waited in the streets for hours and hours to audition for
Deitch. Nothing has changed on the landscape of world art. "Plus ca change,
plus ca reste la meme chose!", meaning "The
more things change, the more they remain the same."
What exactly is his
relationship with Sotheby's, anyway? Is he putting his space at 18 Wooster up
for sale? Is Deitch trolling the leases on his two Grand Street spaces to
fashion boutiques, looking for a profitable buyout? One worm in the Deitch
apple is an alleged abusive relationship between one of Deitch's major stars
and a lover this surprisingly unstable artist met on the Internet. Friends of
this hot artist describe the relationship as sado-masochistic, including
alleged sex at knifepoint and frequent beatings by the inamorated. A senior
Deitch staffer told us, "I avoid the lover," who's "no good, violent."
Photo:
Deitch Grand Projects at Grand Street headquarters. Nothing is legally and
really "Grand", except the name of the street.
A
source close to the artist even told us that Deitch himself has allegedly been
threatened by the interloper during planning for an upcoming exhibition.
Nevertheless, the art star and the "lover" plan to be married this summer,
according to concerned friends. We gave Jeffrey Deitch a chance to respond to
these allegations, on the record, at Calamé's opening. A visibly nervous
Deitch at first told us, "I don't get into the personal lives of my artists."
When asked about reports that he himself had been physically threatened,
Deitch didn't deny them, but said, "Overall, I'm not worried." Apparently,
feeling he had acknowledged too much, Deitch ended, "You know, Charlie, when
someone becomes a big art star, you hear stories everywhere," a crock of
frothing B.S. we're not buying for a minute. The Deitch operation has evolved
into an all night, non-stop party managed Romanesqually for the inscrutable
delectations of its four-eyed emperor. It remains to be seen whether the apple
is rotten at its core."
MORE ABOUT DEITCH, BY
SOMEBODY ELSE. (FROM THE ARCHIVES) A
sure sign the art world is going to the dogs
From CNN Correspondent Jeanne Moos
NEW YORK (CNN) -- When Russian artist Oleg
Kulik hears that his performance was for the dogs, he's flattered.
That's because his two-week performance that ended recently in New York
was AS a dog. And though some critics may have had a bone to pick with
the show, Kulik through it reinforced his reputation as one of the most
prominent figures in the Russian art world. So what if he doesn't speak
English. In his role as dog man, he doesn't speak at all. For two weeks,
Kulik's performance art exhibit, "I bite America and America bites me,"
was seen at New York's Deitch Gallery.

It may not look like
art, but Kulik's tail-wagging performance was reviewed by the New York
Times, which is a lot more than other more conventional artists can
claim. "To watch a human impersonate a dog as thoroughly as Mr. Kulik is
extremely disconcerting," the Times' reviewer said. Inside his cage, dog
man exhibits a range of behavior, from playful to soulful. His careful
study of a dog's natural movement is said to prompt viewers to suspend
belief that what's before them is actually a man and not a beast. Dog
man for the most part was more bark than bite, although he was not
restrained by a leash and he was known to leave bite marks. Spectators
were encouraged to enter his cage, but they had to don a protective
suit. Gallery owner Jeffrey Deitch calls dog man a landmark in the
history of radical performance art. He said it's a powerful image meant
to provoke thoughts about what separates man from dog. For two weeks,
Kulik never left his cage or his canine character. He was taken nude in
a minivan to the airport, and finally donned clothes before boarding a
flight to Moscow. The idea is to someday profit from the sale of
documentary footage -- and even the cage bars and door -- as relics.
ARTISTS OF THE MONTH: World-Class
Jewish Artists.
TSEPORA
 
Tsepora
has performed a wide variety of roles and repertoire ranging from Opera, Art
Song and Oratorio to Broadway standards. She also has a soundtrack to her credit
- for a 1998 animated film featuring Beethoven's Ninth Symphony. Her career
highlights include singing solo roles in A Midsummer Nights Dream and Leonard
Bernstein's Mass with the Calgary Philharmonic Orchestra under the direction of
Maestro Hans Graf and in Elijah with the Calgary International Organ Festival.
Since 1995, Tsepora's numerous appearances with and on behalf of Calgary Opera
include performances in Carmen and in Rigoletto, and performing opera solo
excerpts on Calgary's A Channel Television and for the Devonian Concert Series.
She has sung in 10 Calgary Opera productions as a member of the chorus and can
be heard on the CD, Celebration, Favorite Opera Choruses. Her singing has
garnered Tsepora many awards and scholarships. In 2000, Tsepora performed
Yiddish music for the B'Nai Jeshurun Synagogue in New York. And in March 2001,
Tsepora was a featured guest entertainer at the Calgary Philharmonic's Black Tie
Winemaker's Dinner. Spring 2001 marked her debut concert at the Beth Tzedec
Synagogue in Calgary and the release of her first CD, A Timeless Journey Through
Jewish Song. A special featuring Tsepora aired across Canada January 2002 on CBC
Canada. For the past five years, Tsepora has performed the cantorial music for
High Holidays at Temple B'nai Tikvah in Calgary. Tsepora's new CD, Atonement
featuring music from the Jewish High Holidays was released in the summer 2004.
Tsepora continues to perform her one-woman show across the country with
performances in Winnipeg, Hamilton and Toronto. In September 2003, she performed
for the Jewish Foundation of Manitoba's Endowment Book of Life Concert for over
600 people.
Photo:
Tsepora recent CD: "Atonement". Total running time is 69 minutes 33 seconds. The
CD is a pure delight.
And in June 2004,
Tsepora was one of the featured entertainers for 1200 patrons at the Simon
Wiesenthal Tribute Dinner in Toronto. Re-discovering the soulful spirit of
Jewish music, Tsepora's classical voice has captured the essence of Judaism to
create a passionate and unique musical experience. What the critics and the
press wrote: "Calgary Jewish opera star enthralls crowd at Jewish Foundation
Endowment Book of Life Concert. …She appeared to enjoy performing here as much
as the crowd at Etz Chayim, who often clapped along and awarded her a standing
ovation." The Jewish Post and News Winnipeg, Manitoba, September 24, 2003.
“A rare talent who captures the beauty and spirit of very song she sings”.
CBC (Canadian Broadcasting Corporation) TV producer Lorna Sandberg.
DAY
OF REST by RAHEL JASKOW.
A collection of songs for the
Jewish Sabbath recorded in a unique way: one vocalist acting as a small
a-cappella choir. Winner of the Just Plain Folks award for best ethnic album of
2001. Rahel Jaskow's CD, "Day of Rest," consists mostly of songs for the Jewish
Sabbath. Expertly recorded and mixed by fellow CD Baby artist Ray Scudero of
Argaman Studios in Israel, Rahel's disc pioneers a new genre in Jewish music.
Rahel has recorded nearly every song in multiple voices, without musical
accompaniment, to give the effect of a small a-cappella choir. Rahel's clear,
bell-like voice and harmonious vocal arrangements guide the listener to a quiet,
tranquil place and make the spirit soar. Although the songs are mostly in Hebrew
(except "Lullaby in C," which is sung both in English and in Rahel's Hebrew
translation), their message is clear to speakers of any language: to take the
time to rest and refresh ourselves. "Ms. Jaskow's voice quality is rich,
enchanting and extremely appealing as an Israeli-style 'traditional folk'
artist." -- Judith Pinnolis, Jewish Music WebCenter. Rahel appears as a guest
artist on Hanna Yaffe's "Lullabies from Jerusalem," Shuly Nathan's "Open Roads"
and "Mostly Carlebach," and Ray Scudero's "With the Help of Angels."

Reuben Hoch Blends
Daring Imposing Innovation and Astonishingly Vibrant Musicality.
Drummer and composer
Reuben Hoch was born in Brooklyn, New York in 1959. He was raised as an Orthodox
Jew, attended Yeshiva, and prayed in the synagogues of various Chassidic Sects,
including Munkatch and Satmar. He began playing the drums at the age of 12 and
became interested in jazz while in high school. He began playing professionally
at the age of 16. By the time he was a senior in high school, Reuben was quite
active on the New York jazz scene and recorded with his first group,
Repercussions. Heavily influenced by Art Blakey, Tony Williams, Jack DeJohnette
and Elvin Jones, by age 19, Reuben was playing with Art Blakey sidemen Valery
Ponomaerov, David Schnitter and Lonnie Plaxico. He remained musically active
throughout college and while attending medical school in Tel Aviv from 1984 to
1988, became a member of the Israeli jazz quartet Zaviot. Zaviot toured
extensively throughout Europe performing in major festivals, winning an award
for most originality in the Red Sea Jazz Festival in 1986.
Reuben
has appeared on many albums including two as a leader of his own group, The RH
Factor, which features Miles David alumnus Dave Liebman. Reuben's debut CD was
recorded live at New York's Knitting Factory. Amongst the many musicians that
Reuben has performed and recorded with are Greg Osby, Lonnie Plaxico, Jim
Pepper, Ron McClure, Don Friedman, Joey Calderazzo, Ed Schuller, Leni Stern and
Jeff Andrews. He was co-leader of the group West End Avenue, which featured the
great Native American Saxophonist, Jim Pepper. West End Avenue released four
CD's. The group's 1989 release "West End Avenue ", featuring Jim Pepper,
Christoph Spendel and Ron McClure, was record of the month in Germany. This
recording, which contains two of Reuben's original compositions, was given three
stars in "The Penguin Guide To Jazz On CD". The Chassidic Jazz Project,
Reuben's most recent effort, combines traditional Chassidic melodies with
contemporary jazz arrangements. For Reuben, this project is the realization of a
dream
DISCOGRAPHY OF REUBEN HOCH:



From L to R: #1. If I Only
Knew 1995 Bellaphon/L+R CDLR 45102, Reuben Hoch and The RH Factor. #2.
Live in New York 1994 Bellaphon/L+R CDLR 45074, Reuben Hoch and The RH
Factor. #3. With Cristoph Spendel - City Kids 1994 TCB LC 5370.
SARAH
JANE CION: Winner of the 17th annual Great American Jazz Piano Competition
SHE IS AUTHENTIC,
POWERFUL, CLASSY WITH UNSURPASSED TALENT AND MUSICAL WEALTH!
Sarah Jane Cion was the 1st
Place Winner of the internationally acclaimed 17th Annual Great American Jazz
Piano Competition held in Jacksonville Florida on November 11th, 1999. The
judges were Horace Silver, Kenny Barron, Ellis Marsalis, Benny Green and Bill
Charlap. Ms. Cion’s trio performed in Japan at the prestigious Fukuoka Blue Note
for the month of January in 2000 and Sarah appeared on the Nationally syndicated
NPR radio show “Piano Jazz” with Marian McPartland on February 8th, 2000.
Sarah has performed with young and older jazz legends such as Clark Terry, Al
Gray, Etta Jones, Dave Leibman, Ron McClure, Dennis Irwin, Elliot Zigmund, Dr.
Lynn Christie, Della Griffin, Ralph Lalama, Don Braden, Santi Debriano, Alan
Harris, Philip Harper, Alvester Garnett, Lonnie Plaxico, and many others. She is
often found performing with New York City mainstay big bands such as the Lew
Anderson Big Band at Birdland and The Spirit Of Life Ensemble at Sweet Basil and
is currently performing with bestselling author and tenorman James McBride Her
debut CD, Indeed! features alto saxophonist Antonio Hart, drummer Tony Reedus
and other young jazz giants. Her second CD Moon Song was released
internationally on the Naxos Jazz label in May of 2000 featuring Phil Palombi,
Chris Potter and Billy Hart.Moon Song was the 4th best selling Modern Jazz album
in Japan in April 2000, and reached number 15 on the U.S.Gavin Reports on June
22nd, 2000. Her third CD, Summer Night was released in October of 2001,
featuring saxophone giant Michael Brecker, and the reprise of Billy Hart and
Phil Palombi. On February 25th, 2002, Summer Night reached number 12 on the
Yellowdog Jazz Charts. The Sarah Jane Cion Trio was the opening act for the
George Coleman Quartet at the Mellon Jazz Festival in Pittsburgh in June of ‘98,
and her quartet was featured in the JVC Jazz Festival in New York City later
that summer. In May of 1999, her trio headlined at the Kennedy Center for the
prestigious Women In Jazz Festival. The trio also performed at the Freihofer’s
Jazz Festival in June of 2000, the Indy Jazz Festival in July, and Cion was
featured as a solo pianist at the DuMaurier Atlantic Jazz Fest in Nova Scotia,
Canada later that month.
The Sarah Jane Cion Trio was
presented in concert by Savannah On Stage in March of 2001, and at the
Smithsonian Institute-Voice of America Stage in Washington D.C. in May of 2001.
Cion has toured Israel, Portugal, Japan and Germany, and in July of 1996 Sarah
worked side by side with Monty Alexander in his jazz workshop in Verbier
Switzerland to assist and perform during the course of the week. Sarah’s
original song, It’s Christmas Time, Once Again, was a finalist in the
internationally acclaimed 1997 John Lennon Songwriting Contest. Sarah’s music is
currently being featured on the WABC TV soap All My Children in the Valley Inn
Dining Room. Her entry of the CD release It Could Happen to You with the Herve
Jeanne Trio was a Jazz Podium winner, and Sarah was flown over to perform five
concerts in Northern Germany in October of 1998, and May of 2001.
Sarah Jane Cion graduated from the New England Conservatory in 1990 with honors
and distinction in composition and performance. Cion was the recipient of the
1988 Boston Jazz Society Award, and she was chosen as one of four pianists to
attend the Banff School For the Arts in 1991 with an all-star faculty of Steve
Coleman, Rufus Reid, Kevin Eubanks of the “Tonight Show” orchestra, Marvin
“Smitty” Smith, Kenny Wheeler and Dave Holland. Her forthcoming performances:
OUTSTANDING JEWISH PERSONALITIES
TED ROSENTHAL:
SIMPLY PHENOMENAL!
Ted
Rosenthal
was born and raised in Great Neck, Long Island -- a
suburb of New York City. At the age of six, Ted started piano
lessons and promptly quit after a few months because he wanted to
improvise while his teacher insisted that he read the notes on the
page! After playing rock guitar and trumpet in the school band,
Ted came back to the piano through a strange and fortuitous
event...Tony
Aless, a studio musician and jazz pianist who recorded with
Charlie Parker and Stan Getz, opened a teaching studio in Great
Neck. Tony's son was cold calling through the phone book and while
Ted and his parents were having dinner, the phone rang. Ted was
offered a free piano lesson and (at his parents' insistence) he
took one. As soon as Tony gave Ted a demonstration of jazz piano,
Ted was hooked. Ted studied with Tony for two years from the ages
of 12-14, and continued to study both jazz and classical piano
through high school. He studied briefly with Jaki Byard and Lennie
Tristano and attended workshops with Billy Taylor, Woody Shaw and
others. After high school, Ted attended Manhattan School of Music
and received a Bachelors and a Masters Degree in Piano
Performance. After college he continued his piano studies with
Phillip Kawin while playing jazz locally around New York whenever
he could. Ted entered the international spotlight by winning first
prize in the second annual Thelonious Monk International Jazz
Piano Competition in 1988. He has since released 9 CDs as a
leader. His latest,
One Night
in Vermont is a duo performance with legendary trombonist Bob
Brookmeyer. Together, they explore great American standards
spinning out a seemingly endless array of ideas while never losing
sight of the joyous swing associated with these songs. In 2003 Ted
released
Expressions, a quintet date that features his original
compositions. The 3B's, and ThreePlay, both on Playscape
Recordings were released in 2002 and 2001 respectively.
The 3B's,
which received 4 stars from Down Beat Magazine, features solo
renditions of the music of Bud Powell, Bill Evans and his
strikingly original improvisations on Beethoven themes. His
previous CD,
ThreePlay
is a trio outing featuring Dennis Irwin and Matt Wilson, which
explores Rosenthal originals and jazz standards with an
invigorating and free spirited approach. Previously, Ted recorded
Rosenthology
on Concord Jazz, with Michael Formanek and Billy Drummond. This
trio CD also creatively combines standards, jazz classics and
original compositions. Ted received great accolades for his
solo piano CD recorded on the prestigious
Live at
Maybeck Hall series. His critically acclaimed CD
Images of
Monk, enlists the robust sound of a sextet to accentuate
his highly original arrangements of Monk compositions. Ted's CDs
feature some of the top names in jazz, including Ron Carter, Billy
Higgins, Tom Harrell, Dick Oatts, Brian Lynch, Mark Feldman and
Marvin "Smitty" Smith.
Ted
toured for three and a half years with the last Gerry Mulligan
Quartet. He recorded three CDs with Mulligan and performed in
major jazz festivals throughout the world. After Mulligan's death,
Ted became musical director of The Gerry Mulligan All Star Tribute
Band, featuring Lee Konitz, Bob Brookmeyer and Randy Brecker. The
group recorded the Grammy nominated CD, Thank You Gerry, on
Arkadia Jazz. As a busy sideman, Ted was a member of the Art
Farmer Quintet. Additionally he has performed with the Jon Faddis,
Benny Golson and James Moody Quartets, and with the Phil Woods and
Joe Chambers Quintets. As an active New York freelancer, he has
also performed with Wynton Marsalis and the Lincoln Center Jazz
Orchestra, The Carnegie Hall Jazz Band and The Vanguard Jazz
Orchestra. Rosenthal is also the pianist of choice for many top
jazz vocalists including Helen Merrill, Mark Murphy and Ann
Hampton-Callaway. Ted has appeared on Marian McPartland's Piano
Jazz on National Public Radio and performed with David Sanborn on
NBC's Night Music. A recipient of three performance grants from
the National Endowment for the Arts, Ted regularly performs and
records his
compositions, which include jazz tunes and large-scale works.
The Survivor, his concerto for piano and orchestra, was
premiered by the Rockland Symphony Orchestra with Ted at the
piano. The piece combines written and improvised sections for the
piano soloist, reflecting Ted's interest in improvisation within
jazz and classical styles. Ted also performs Gershwin's works for
piano and orchestra with improvisations adding an extra dimension
of vitality and spontaneity to the music. Other classical/jazz
crossover performances include solo and featured appearances with
The Boston Pops, The Greater Palm Beach Symphony, The Tulsa
Philharmonic, The Kansas City Symphony, and The North Carolina
Symphony. Rosenthal has also performed in chamber and new music
concerts at Carnegie's Weill Recital Hall, Alice Tully Hall and
Merkin Concert Hall.
A faculty member of the Manhattan School of Music and the New
School University, Rosenthal is active in
education and
presents jazz clinics throughout the country. He was a
contributing editor for Piano and Keyboard magazine and has
published piano arrangements and feature articles for Piano Today,
and The Piano Stylist.
DISCOGRAPHY:



  
 
DID YOU READ
LATELY?
STARS ILLUSTRATED MAGAZINE. A DE LAFAYETTE WORLDMEDIA PUBLICATION.
Editor-in-Chief: Maximillien de Lafayette. CLICK ON THE COVER OR
ENTER
SPECIAL ISSUE OF THE
YEAR: WORLD ART CELEBRITIES JOURNAL ENTERTAINMENT, MUSIC AND ARTS
YEARBOOK 2005.
STARS
ILLUSTRATED

  HOTTEST
STARS OF THE YEAR.WHO'S WHO OF THE GREATEST
AMERICAN FEMALE SINGERS AND STAGE DIVAS!
DAME PAULETTE ATTIE: SHOWBIZ STAR OF
THE YEAR
BEST & WORST SHOWS OF THE YEAR
WORLD'S BEST ENTERTAINERS!
DANCE
Israeli
Folk Dance
Wednesdays, 7-8 pm (instructional session) | 8:15 pm-12:15 am (open session)
Join us every Wednesday evening for folk dancing and
fun with Ruth Goodman and Danny Uziel. No advance registration is necessary.
Join us for an instructional session to learn and review today’s folk dance
repertoire. This session is geared to those with some knowledge of Israeli
folk dance.
92nd Street Y, 92nd Street & Lexington
Avenue. For information: 212.415.5737 |
www.92y.org
  For
the past thirty years, Ruth Gould Goodman has explored the realm of the
body and spirituality. Through her own unwinding from early pain, she
learned that deep inner listening and attunement to the life force in her
own body, not only guided her back to her spiritual center, but opened
within her a capacity for healing of herself and others. She teaches her
students to do just that: align with universal consciousness at the
spiritual center of their being to heal their own body/being. Activating
the innate power of attention and intention, Ruth accompanies her students
on a journey using precise movements of mind and body to rewire themselves
back to their birthright as free joyful, creative beings. Once knowledge
is firmly grounded in one’s body, ancient esoteric spiritual teachings
begin to bloom as present-moment insight. If we have ears to listen and
the faith and courage to say ‘YES!” to what is moving through us, we find
our life aligning with universal consciousness. From our spiritual center
our capacity to choose right action becomes clear.
With
an M.A. in Dance Therapy from New York University, Ruth’s experience,
spirals through dance, improvisational performance, yoga, acupuncture
(licensed in California) and has evolved to include hands-on energy
healing work, yoga instruction based on creative movement and vocal
expression and what she refers to as functional philosophy. As a
functional philosopher, Ruth translates ancient spiritual teachings that
are somehow removed from our moment-to-moment experience into simple
aphorisms, using language we can grasp in this current era. Her homespun
thinking is stunning in its simplicity and functional because it can be
correlated with a perceivable body experience.

DANCE
Israeli Folk
Dancing with Tamar and Shmulik
Thursdays at 7 pm
Join us Thursday nights for Israeli folk dancing in
the North Gym, led by the well-known and loved Israeli dance teachers Tamar
and Shmulik. Beginners can get started with an introductory hour-long
session from 7-8pm. Dancers of all levels are invited to join in for the
rest of this fun-filled dance xtravaganza!
This Fall, every Thursday night beginning October 21st until December 30! No
registration required. Pay at the front desk in the lobby.
$10 members/$12 nonmembers | Beginners from 7-8 pm, All Levels from
8-Midnight
The JCC in Manhattan,
334 Amsterdam Ave. at 76th St. Call 646.505.5708 for information
Events
REDISCOVERING THE JEWISH COMMUNITY OF SALONIKA: PERSPECTIVES AND INSIGHTS
GLEANED FROM THE YIVO ARCHIVES
A PRESENTATION BY DEVIN NAAR, HISTORIAN AND LEADING AUTHORITY ON LADINO AND
TWENTIETH CENTURY JEWISH HISTORY IN SALONIKA, GREECE
New York-
The YIVO Institute for Jewish
Research and the
American Sephardi Federation
with Sephardic House
are co-sponsors of, Rediscovering the Jewish Community of Salonika:
Perspectives and Insights Gleaned from the YIVO Archives, a lecture
which will be presented by Devin Naar,
Project Historian of the Salonika Jewish Community Archives Project at YIVO.
The lecture will take place on Tuesday, August 23, 2005 at 7:00 pm, in the
Kovno Room at the Center for Jewish History, 15 West 16th Street, New York,
NY 10011. Free Admission; reservations required.
Mr. Naar is a Doctoral
Candidate at Stanford University Graduate Program in Jewish History. He is
the recipient of a 2005 Fulbright Fellowship for the study of Greek Jewry.
One of the few scholars who have mastered
solitreo,
the handwritten version of Ladino, Mr. Naar, , has specialized in the Jewish
history of Salonika in the 20th century with emphasis on the effects of the
Great Fire of 1917, which left about 50,000 Salonika Jews homeless. Naar’s
great grandfather was a rabbi in Salonika. The ancestral Jewish community of
Salonika, which had a population of close to 60,000 on the eve of World War
II, was destroyed during the Nazi occupation and 95% of the Jews of Salonika
were killed in Auschwitz in 1943. The YIVO Institute for Jewish
Research is the recipient of grants from the Maurice Amado Foundation and
the United States Holocaust Memorial Museum for cataloging, microfilming,
and the digitization of the Salonika Jewish Communal Archive housed at YIVO.
The American Sephardi Federation with Sephardic House, which specializes in
the history of Sephardic Jewry, has provided its intellectual support and
bibliographic resources for the project. An Academic Advisory Committee,
consisting of leading scholars of Sephardic and Greek Jewry, has been formed
to provide guidance to project staff.
About the YIVO Institute for Jewish Research:
Founded in 1925
in Vilna, Poland (now Vilnius, Lithuania), and headquartered in New York
since 1940, the YIVO Institute for Jewish Research is dedicated to the
history and culture of Ashkenazi Jewry and its continuing influence in the
Americas. As the only pre-Holocaust scholarly institution to successfully
transfer its mission to the United States, today YIVO is the preeminent
resource center for East European Jewish Studies; Yiddish language,
literature and folklore; and the American Jewish immigrant experience. The
YIVO Library holds over 360,000 volumes in 12 major languages; the Archives
holds more than 23,000,000 archival pieces on East European and American
Jewish subjects. YIVO offers a series of public programs, exhibitions,
research opportunities, graduate fellowships, publications, conferences, and
Yiddish language classes.
About American Sephardi Federation
With
Sephardic House:
The American Sephardi
Federation with Sephardic House is a national organization dedicated to
strengthening and unifying the American Sephardic community and promoting
its history, cultural and social traditions. Since its arrival at the
Center, ASF’s archival holdings and library have been enriched with valuable
records of personal and community history. Sephardic House celebrates the
uniqueness of the Sephardic culture through its annual International Film
Festival, publications and exhibition.
About the Center
for Jewish History:
In 2000, the Center for Jewish History, located in the heart of the historic
Chelsea district, became the home of five distinguished partner
institutions—the American Jewish Historical Society, the American Sephardi
Federation, the Leo Baeck Institute, Yeshiva University Museum, and the YIVO
Institute for Jewish Research. Sharing a common vision of preserving and
presenting Jewish culture and history, the five partner institutions in
coming together, have created a meeting place where intellectual inquiries
are exchanged and freely explored, and where the general public can find
cultural programs devoted to a wide variety of themes and concerns. The
combined holdings of the Center’s partners include over 100 million
documents, books, art, artifacts, photos, and other materials, making the
Center the largest repository of Jewish history and culture outside the
State of Israel.
AT SATALLA
Alicia
Svigals & Mikveh with special guest Marilyn Lerner. Monday,
September 19 at 7:30 PM. Admission is $15
Photo: Alicia Svigals
Alicia Svigals & Mikveh began when Obie-winning
playwright Eve Ensler called Alicia Svigals to put together an
all-star group of female klezmer musicians to join a host of celebrity
performers at her gala event V-Day in New York. As a founding member
of the Klezmatics, Svigals was well- positioned to do just that, and
she called singer Adrienne Cooper, accordionist Lauren Brody and bass
player Nicki Parrott. The group rocked the house at their very first
performance at the Hammerstein Ballroom Theater and then at Madison
Square Garden for the second V-Day, sharing the stage with Whoopi
Goldberg, Oprah Winfrey, Lily Tomlin, Glenn Close, Phoebe Snow, and
Brooke Shields among others. Soon afterwards trumpeter/vocalist Susan
Hoffman Watts joined the group and kicked up the excitement one more
notch. Since then, Mikveh has brought their unique woman-inflected
spin on Jewish roots music, both traditional and brand-new, to
audiences around the U.S. and Europe. Exhilarating jazz
pianist/improviser Marilyn Lerner performs to acclaim internationally,
from her native Montreal to Havana, from Jerusalem to Amsterdam and
the Ukraine. Her groundbreaking recordings have garnered recognition,
including “Best Jazz Recording 2004” for her “Special Angel” duo with
legendary guitarist Sonny Greenwich. This show is presented in
association with the New York Jewish Music and Heritage Festival.
Jaroslav and Sheesha. Tuesday,
September 20 at 10:00 PM. Admission is $15
In association with the New York Jewish Music and
Heritage Festival Satalla presents Jaroslav and Sheesha. Jaroslav is a
saxophonist/composer/arranger born in Czechoslovakia. In Israel,
Jaroslav is a well known musician, having worked with Shalom Chanoch,
Chava Alberstein, Margalit Zanani, and more. A former Columbia Records
recording artist, Jaroslav has worked with Bette Midler, Paul Simon,
Carly Simon and other U.S. musicians.
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