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Jewish Arts, Culture, Stars&Entertainment Section. P4. August 2005

By Maximillien de Lafayette, Editor-in-Chief of the World Jewish News Agency, Senior Art Critic of the International Herald Daily news http://www.internationalheralddailynews.org  and World Art Celebrities Journal http://www.worldartcelebritiesjournal.com

 

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MAJOR LECTURES, DISCUSSIONS & CONVERSATIONS



Lecture: Gertrude Stein: Woman of Faith? Presented as Part of “A Season of Contemporary Salons”. Tuesday, November 1, 7pm, Boston College, Devlin 101, 140 Commonwealth Avenue, Chestnut Hill, MA
 

Photo: Portrait of Gertrude Stein by Pablo Picasso, 1906,

The New Center for Arts and Culture, the Boston College McMullen Museum of Art, the Jewish Studies Program at Boston College and the Lowell/ Humanities Lecture Series on the occasion of the exhibition The Power of Conversation: Jewish Women and their Salons. This a lecture about Gertrude Stein by Catharine R. Stimpson, University Professor and Dean, Graduate School of Arts and Sciences, New York University. Direction: B branch of the MBTA Green Line to the Boston College terminus. For directions or parking see www.bc.edu. ADMISSION: The lecture is free, open to the public and is handicapped accessible. FOR MORE INFORMATION: “A Season of Contemporary Salons” is listed on the web at  www.ncacboston.org. For information please call 617-558-6447. About the New Center: Sponsored by Combined Jewish Philanthropies and the Jewish Community Centers of Greater Boston, The New Center for Arts and Culture is a cutting edge intellectual and cultural hub that explores societal change through the arts and culture to create common ground in the diverse world of the 21st century. The New Center recently celebrated its designation to build a facility on the Rose Kennedy Greenway in Boston. Based on creative partnerships, it has produced breakthrough events including the highly successful WORDS ON FIRE series in 2003 and the first reading of Robert Brustein’s new play SPRING FORWARD FALL BACK in 2004. THE POWER OF CONVERSATION is its third venture in providing outstanding programming for the Greater Boston community. Calendar Listing. For more information contact: Edwina Kluender, Harron & Associates, 617-267-7366 edwina@harronandassociates.com

 

 

GERTRUDE STEIN

Photo :Gertrude Stein, photographed by Carl Van Vechten, 1934.

Born in Pittsburgh's old Allegheny, Pennsylvania suburb (annexed by Pittsburgh in 1907), her family moved to Vienna and then Paris when she was three. After returning almost two years later, she was educated in California, graduating from Radcliffe College in 1897 followed by two years at Johns Hopkins Medical School. In 1902 she moved to France during the height of artistic creativity gathering in Montparnasse. From 1903 to 1912 she lived in Paris with her brother Leo, who became an accomplished art critic. Stein, a lesbian, met her life-long companion Alice B. Toklas in 1907; Alice moved in with Leo and Gertrude in 1909. During her whole life, Stein was supported by a stipend from her brother Michael's business.She and her brother compiled one of the first collections of Cubist art. She owned early works of Pablo Picasso (who became a friend and painted her portrait), Henri Matisse, Andre Derain plus other young painters.When England declared war on Germany in World War I, Stein and Toklas were visiting with Alfred North Whitehead in England. They returned to France and volunteered to drive supplies to French hospitals; they were later honored by the French government for this work.By the 1920s her salon at 27 Rue de Fleurus, with walls covered by avant-garde paintings, attracted many of the great artists and writers including Ernest Hemingway, Thornton Wilder, Sherwood Anderson and Georges Braque. She coined the term "Lost Generation" for some of these expatriate American writers. Extremely charming, eloquent, cheerful and overweight, she had a large circle of friends and tirelessly promoted herself. Her judgments in literature and art were highly influential.Ernest Hemingway describes how Alice was Gertrude's 'wife' in that Stein rarely addressed his wife, and he treated Alice the same, leaving the two "wives" to chat. Alice was four foot eleven inches tall, and Gertrude was five foot one inch (Grahn 1989).Politically, Gertrude Stein has been described as a conservative fascist; she regarded the jobless as lazy, opposed Franklin D. Roosevelt and his New Deal and supported Francisco Franco in the Spanish Civil War. She would later start a project of translating speeches by Vichy regime leader Pétain into English. Contrastingly, Judy Grahn (1989) describes her as, "a 19th Century Republican, in her manners and manner of speech she was Victorian, socially was more liberal than not, with developed individualism coupled with democratic values based in pragmatism; thus at the opening of the German occupation of France she favored collaborative Vichy government, but by the end she did not, having witnessed firsthand the hardship it brought to the peasants." (p.140-141). With the outbreak of World War II, Stein and Toklas moved to a rented country home in Bilignin, Ain, in the Rhône-Alpes region. Referred to only as "Americans" by their neighbors, the Jewish Gertrude and Alice escaped persecution probably because of their friendship to Bernard Faÿ, a gay collaborator with the Vichy regime with connections to the Gestapo. When Bernard Faÿ was sentenced to hard labor for life after the war, Gertrude and Alice campaigned for his release. Several years later, Alice would contribute money to Faÿ's escape from prison.After the war, Gertrude's status in Paris grew when she was visited by many young American soldiers. She died of stomach cancer in Neuilly-sur-Seine, Paris on July 29, 1946 and was interred there in the Père Lachaise cemetery. When she was being wheeled into the operating room for surgery on her stomach, she asked Toklas, "What is the answer?" When Toklas did not answer, Stein said, "In that case, what is the question?" Stein named writer and photographer Carl Van Vechten as her literary executor, and he helped to usher into print works of hers which remained unpublished at the time of her death. Text: Wikipedia.

Catharine R. Stimpson, B.A.; B.A., M.A. [Cantab.], PH.D.; HON: D.H.L., HUM.D., LITT.D., LL.D., Dean, Graduate School of Arts and Science

Catharine R. Stimpson was appointed dean of NYU's Graduate School of Arts and Science in 1998 and is a University Professor. Prior to her arrival at NYU, Stimpson was director of the MacArthur Foundation Fellows Program. She has also served as University Professor at Rutgers, where she was also dean of the graduate school and vice provost for graduate education from 1986 to 1992. She also is a former chair of the New York State Humanities Council and the National Council for Research on Women, and president of the Modern Language Association. She was the first director of the Women's Center of Barnard College and of the Institute for Research on Women at Rutgers. Stimpson's many publications include the book Where the Meanings Are: Feminism and Cultural Spaces and the Library of America's Gertrude Stein: Writings 1903-1932. The author of a novel, Class Notes, she is the editor of seven books and has published over 150 monographs, essays, stories, and reviews in the Transatlantic Review, The Nation, The New York Times Book Review, Critical Inquiry, boundary 2, and others. She was the founding editor of Signs: Journal of Women in Culture and Society for the University of Chicago Press. Stimpson has received a Rockefeller Humanities Fellowship and has also been a Fulbright Fellow and Woodrow Wilson Fellow. She has received grants from the National Endowment for the Humanities, the National Humanities Institute, the Lilly Foundation, the Department of Housing and Urban Development, the Rockefeller Foundation, the Exxon Foundation, and the Ford Foundation. Stimpson holds a B.A. from Bryn Mawr (1955), a B.A. and M.A. from Cambridge University (1960, 1966), and Ph.D. from Columbia (1967).

 

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Lecture: Breaking Ground by Daniel Libeskind Presented as Part of “A Season of Contemporary Salons”. Wednesday, November 9, 7-8pm At the Museum of Fine Arts, Boston, Remis Auditorium.

Photo: Daniel Libeskind.

Presented by The New Center for Arts and Culture presented in partnership with the Museum of Fine Arts on the occasion of the exhibition The Power of Conversation: Jewish Women and their Salons. This is a discussion with architect Daniel Libeskind and architecture critic Robert Campbell. Building on the concept that "A great building, like great literature or poetry or music, can tell the story of the human soul," Mr. Libeskind will reflect on the role of architecture in creating good cities, its relationship to who we are, and his own iconic approach to public space. His first project in Boston will be the future home of The New Center for Arts and Culture, on the Rose Kennedy Greenway. Wednesday, November 9, 7-8pm At the Museum of Fine Arts, Boston, Remis Auditorium. ADMISSION: Tickets: $15 – members, $18 – non-members. Order Tickets: On-line- www.mfa.org, phone- 617-369-3306. FOR MORE INFORMATION: Presented in partnership with Museum of Fine Arts, Boston “A Season of Contemporary Salons” will be listed on the web at  www.ncacboston.org For information please call 617-558-6447.

Graduate Centre, London Metropolitan University by Studio Daniel Libeskind

Some of the masterpieces of Libeskind: From T to L: #1. Graduate Centre, London Metropolitan University by Studio Daniel Libeskind. #2. Danish Jewish Museum (2003-2004)


A Conversation Making the Dance Presented as Part of “A Season of Contemporary Salons”.
Thursday, November 10, 6:30pm -8:00pm, At The Boston Center for Adult Education. For directions or parking see www.bcae.org

The New Center for Arts and Culture and The Boston Center for Adult Education on the occasion of the exhibition The Power of Conversation: Jewish Women and their Salons. This is a conversation - The artistic director, choreographer, and founder of José Mateo's Ballet Theatre has developed the only dance organization in New England to produce an entire repertory of original works by its own resident choreographer. Join him and members of his company to learn about the process of creating a dance. How does the choreographer create the dance? What determines the form a dance will take? ADMISSION: Tuition: $15. Register online at www.bcae.org or by calling the Boston Center for Adult Education at (617) 267-4430.. FOR MORE INFORMATION: “A Season of Contemporary Salons” is listed on the web at
www.ncacboston.org . For information please call 617-558-6447. About the New Center: Sponsored by Combined Jewish Philanthropies and the Jewish Community Centers of Greater Boston, The New Center for Arts and Culture is a  cutting edge intellectual and cultural hub that explores societal change through the arts and culture to create common ground in the diverse world of the 21st century. The New Center recently celebrated its designation to build a facility on the Rose Kennedy Greenway in Boston. Based on creative partnerships, it has produced breakthrough events including the highly successful WORDS ON FIRE series in 2003 and the first reading of Robert Brustein’s new play SPRING FORWARD FALL BACK in 2004. THE POWER OF CONVERSATION is its third venture in providing outstanding programming for the Greater Boston community.


 

Film: Thunder in Guyana Presented as Part of “A Season of Contemporary Salons”. Thursday, November 17, 7pm,
At Boston College, Devlin 026, 140 Commonwealth Avenue, Chestnut Hill, MA.

Boston College Film Studies Program and the New Center for Arts and Culture on the occasion of the exhibition The Power of Conversation: Jewish Women and their Salons. “Thunder in Guyana” a film and a discussion following screening with director, Suzanne Wasserman. Janet Rosenberg Jagan became the first American-born woman to head another nation when she was elected President of Guyana in 1997. With a unique perspective as an historian and as a relative, her cousin Suzanne  Wasserman interweaves threads of her family’s history to tell Jagan’s incredible  life story and explores the complex history of the little understood country that became her adopted homeland. ADMISSION: The film is free, open to the public and is handicapped accessible. FOR MORE INFORMATION: “A Season of Contemporary Salons” is listed on the web at  www.ncacboston.org For information please call 617-558-6447

Thunder in Guyana.  A film by Suzanne Wasserman, 2003, 50 minutes. Color/BW, US. THUNDER IN GUYANA is the remarkable tale of Janet Rosenberg, a young woman from Chicago who married Guyanese activist Cheddi Jagan, and set off for the British colony to start a socialist revolution. For more than fifty years, the couple fought tirelessly to liberate the country from colonial rule and exploitation—despite battering by the international press, imprisonment and the intervention of world figures including Winston Churchill and John F. Kennedy. Free and fair elections were instituted in the early 90's, and Janet Rosenberg-Jagan was elected president of Guyana in 1997, the first foreign-born and first woman to serve in the role.

Historian Suzanne Wasserman (Rosenberg’s cousin) creates a rich historical portrait combining interviews with friends and family, excerpts from Janet’s letters, archival photographs and footage, and video captured during Janet’s dramatic presidential campaign. The film illuminates the life of an extraordinary woman and the complex history of the little understood country of Guyana.

  • Chicago Latino Film Festival

  • Gene Siskel Film Center of Chicago

  • Myhelan Indie Film Festival - Best Documentary

  • IFP/Film Society of Lincoln Center "Independents Night"

  • Margaret Mead Film Festival

  • San Francisco, Washington, and Montreal Jewish Film Festivals

  • Boston Jewish Film Festival - Best Documentary Audience Award

  • CINE Golden Eagle Award

Photo: Janet with PPP supporters in Georgetown, 1953.


Janet Rosenberg was born and raised in Chicago, Illinois. In 1942, 23-year-old Janet met and fell in love with a handsome man from a South American country no one in my mother’s family even knew existed. Born in the tiny colony of British Guiana (Guyana after 1966),on South America’s northern coast, Cheddi Jagan was the son of East Indian immigrant indentured sugar plantation workers. She was a nursing student at Cook County, he was a dental student at Northwestern University and they were both involved in radical politics. They married in 1943 despite the strenuous objections of her Jewish and his Hindu parents. Together, they planned to go to British Guiana as socialist revolutionaries to fight for independence. Janet’s father, my great-uncle Charlie, threatened to shoot Cheddi on sight; my great-grandmother had a stroke. Considered the founders of Guyana, Janet and Cheddi Jagan spent the next half century as political leaders of the country. In 1950, they founded the multi-racial People’s Progressive Party, the first modern political party in the colony. In the historic election of 1953, the first election that provided for universal adult suffrage, Cheddi was elected Chief Minister and Janet was elected the country’s first female minister and deputy speaker of parliament. Janet made international headlines that claimed "Guiana Red Line Laid to Chicago Born Blonde." Called the "Second Eva Peron" and the "Woman in White," another article claimed "Parents Describe Girl as 'Storm Center of Guiana."

 To her own parents, Janet sent a Western Union telegram that read "Cheddi, myself and Party won overwhelming victory." They governed for 133 days, until British Prime Minister Winston Churchill deposed them. They both served time in jail and under house arrest. Remaining the most popular leader in the colony, Cheddi Jagan was re-elected and became Prime Minister in 1961. This time, the Kennedy administration intervened.  The CIA instigated labor unrest, disinformation and race riots that left hundreds dead or injured. With pressure from the United States, Britain, in 1964, pushed through constitutional changes that made it impossible for Jagan to retain power despite his continued popularity. In the first free and fair elections in almost three decades, Cheddi Jagan was sworn in as President of Guyana in 1992. In the winter of 1997, he passed away. Despite reluctance, Janet agreed to accept the Presidential nomination of her Party. On December 15, 1997, she was elected President of Guyana. The first foreign born and first woman to serve this role, many consider her the mother of the nation. Far from being a simple biography of an unconventional woman, this film seeks to interweave the threads of my family’s history, Janet’s incredible life story and the complex history of the little understood country of Guyana. This will be accomplished through my unique perspective as an historian and as a relative.

What the critics said and wrote: “An amazing story, compellingly told.” Mike Wallace, Distinguished Prof of History, John Jay College & Pulitzer Prize-winning writer. "Suzanne Wasserman's film, THUNDER IN GUYANA, offers a useful and intriguing perspective on aspects of Janet Jagan's life and contributions in terms of Guyanese society… the film raises valuable questions about the complications of identity. " Veronica Gregg Africana and Puerto Rican-Latino Studies, Hunter College. "THUNDER IN GUYANA is a stirring and poignant study of sustained political commitment and its consequences. How an American Jewish woman improbably became the head of state of a decolonizing Latin American nation is the stuff of legend, and director Suzanne Wasserman has made a truly engrossing film that weaves this saga into contemporary history.” Stephen J. Whitfield, Professor of American Studies, Brandeis University. “THUNDER IN GUYANA is a moving video tribute that should be seen by anyone interested in learning about anti-colonial struggles, radical ideas and the strength and power of one extraordinary woman to transform the world.” Steve Brier, Filmmaker and Historian

Suzanne WassermanSuzanne Wasserman.

Suzanne Wasserman has a Ph.D. in American History from New York University. She is the Associate Director of the Gotham Center for New York City at the City University of New York, Graduate Center. She is also an historical consultant on Ron Howard’s forthcoming film, Cinderella Man, starring Russell Crowe. Wasserman lectures, writes and consults about New York City history, especially the history of the Lower East Side. She has published widely on topics such as the Depression, Jewish nostalgia, housing, restaurant culture, tourism, pushcart peddling, the Jewish silent screen actress Theda Bara and 19th century saloons. She has taught courses in Museum Studies, Women Studies, Urban Studies, American History and World History. She has worked as a public historian on projects for the Jewish Museum, City Lore, the Tenement Museum, Henry Street Settlement, Clio, Inc. and Steeplechase Films. Thunder in Guyana is her first film. She wrote, directed and produced it. She received grants for the film from the director John Sayles, New York State Council on the Arts, NY Women in Film and Television, the Samuel Rubin Foundation and others. The film is distributed by Women Make Movies

 

 

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RUBBISH:WORST SHOWS & WORST IDEAS

NEW YORK'S WORST SHOWS AND GALLERIES' PRESENTATIONS

DANIELLE WEBB AND BAUMGARTNER GALLERY: BIG DISAPPOINTMENT

Because they are so childish, meaningless and without substance, briefly mentioning this month New York's art shows is more than enough. The most catastrophic and ridiculous ones were "religiously and fanatically" sheltered by Baumgartner Gallery, Marianne Boesky Gallery and the D'Amelio Terras group. Danielle Webb's show at Baumgartner Gallery on 522 West 24th Street, is a joke. Perhaps an insult to art. The wise curator and propaganda wizard at Baumgartner described Webb's work as an innovative and unusual artwork. The brochure contained this statement "the pictorial landscape has long been a ground on which the shifting modes of philosophy, social order, sensibility, and individuality have been projected. Danielle Webb's work uniquely updates this tradition." I did not see or sense any social order, sensibility or a lesson in philosophy in the mediocre and amateurish work of Webb. Her "unique creativity" consisted of childish drawings, filled with holes like a rotten Swiss cheese, covered with cold and uncoordinated colors. Rating: Zero star out of five. Don't waste your time.  Besides, the curators and management team of that gallery are as cold as Webb's work. The guy who introduced himself to me as Mr. Baumgartner looked like a mortician who needed 5 face lifts. He probably never heard of hospitality, warm rapport with visitors and savoir-faire.

CHINATSU BAN, BOESKY, AMY GLOBUS AND TERRAS FAIL AGAIN

Two more failed art shows: 1-Chinatsu Ban at Marianne Boesky Gallery on 535, West 22nd Street. Make a big U turn. It is not worth it. Art immaturity which has been jargonized as "religious urgency" and "salvation". 2-Amy Globus: Sculpting in Time, presented by D'Amelio Terras is a mockery of art and an insult to civilized esthetics or to any meaningful art medium. Rating: Zero star out of five. Next time, Baumgartners, Terras and Boesky should ask Rick Prol and Jan Lynn Sokota to curate and cure their forthcoming shows! And if they need more intelligentsia and avant-garde flair, Dr. Joseph Nechvatal could come to the rescue.

WORST PAINTINGS OF THE WEEK, COURTESY OF CHERYL PELAVIN GALLERY.

New York is full of talented and over-exposed artists. In many instances, the blame is to be thrown not on the artists but on galleries owners and curators who display their art. This week, the ugliest, meaningless and worst paintings belong to  Alex Yudson and  Andrea Belag. Both artists exhibit  at Cheryl Pelavin gallery. Although, they are categorically rubbish, they still go for $2,800. This explains the absurd esthetic distortion hovering over  the Pelavin gallery. 

Photos from L to R: #1 Andrea Belag's Untitled, 2003, 29 x 24 inches, monotype, $2,800. #2.Alex Yudzon, Snake, 2004, 10 x 8 inches, Oil on Canvas.

"Insanity Reigns : Laurel Lueders"

Photo: Laurel Lueders' Dead End. From Brunei Gallery's "After Hiroshima...Nuclear Imaginaries". On exhibit until September 24, 2005

For the first two weeks of August at Gallery Twenty-Four, through projections and photographs, the American artist, Laurel Lueders confronts the Bush Administration, particularly its unilateral "pre-emptive" war policies. The images symbolize power from above as it abuses the powerless below. Accordingly, the first series of projections, "Subjugation" depicts secretive  abuse. The second installation, "When Reason Sleeps, Nightmares Occur" consists of multiple projections which foresee disastrous violence emerging from the apocalyptic insanity of an evangelical cowboy king. He is featured in the center of the digitally printed "Insanity Alterpiece" as "Insanity Reigns: King of the Cowboys" and is flanked by panels of abuse on the left, "Insanity Reigns" and death on the right, "Insanity Rains". Immediate reference to warfare in Afghanistan and Iraq notwithstanding, Lueders' overall exhibition reflects world history in general and its tragic universality, making Berlin the perfect backdrop for this impressive and powerful exhibition. The installation will be modified to utilize the exhibition space of GALLERY twenty-four and its underground cellar, a former air-raid shelter during the allied bombings of Berlin during the Second World War.

ART REALITY TV SHOW? JEFFREY DEITCH'S "ARTSTAR" PROJECT: A JOKE OR HUMILIATION? PERHAPS, BOTH!

Photo: Turkey of the year, New Yorker Jeffrey Deitch.

New Yorker Jeffrey Deitch, a self-proclaimed art critic, art expert, art judge, and art everything is working on a crazy, grotesque and perhaps incomprehensibly clever project. An art reality show! To the well "established" art connoisseurs, academicians and experts in the field, Deitch's TV program (still an idea in its infancy) is either a joke or a mockery of art, par excellence. But, to the starving artists in New York, Deitch's ambitious plan might work. In fact, it began to work in a very bizarre way on and in  the streets and sidewalks of New York city. Struggling and desperate artists dying for recognition, an exposure, even a brief one, a career boost, a buck or two, were lined up in the streets, on the sidewalks and  around the corners of Green Street and Grand Street in SoHo, New York City. Approximately 200 artists stood there, in the streets, shivering and trembling, just to get noticed by Pope Jeffrey Deitch the First! An ad infinitum human lines and queues of artists carrying, holding and grabbing all sorts of art tools, canvases, slides, figurines, statuettes, sketches, negatives, prints, photographs, pictures, screens, albums, mini-installations, video clips, clopins-clopants... and themselves.! All this human Caravan -Serail drama of artists reminded me of those miserable Russian peasants from Kiev and Omsk begging for a piece of bread outside the Tsar and Tsarina imperial palace. And Tsar Deitch loves the view. He felt very important. He thinks, he is en route to become the new Trump of Art Reality TV Show.  Why to blame Deitch et al and why to accuse them of "humanistico-sadistico-artistico atrocity? Deitch's gang and entourage are shrewd, brilliant, pompous, arrogant and wise entrepreneurs.  Blame the artists; the modestus, ignoramus, miserablemus creative geniusesmus who willingly accepted to be humiliated by Jeffrey Dietch.

Photo: "My America", by Jeffrey Deitch. Deitch Projects. The art world of Jeffrey Deitch is more than decadence. It is outrageously vulgar and uglissimo! You are looking at Deitch's poster for  Zhang Huan nudes calendar.

They brought on themselves a self imposed, self welcomed  indignation and humiliation. Deitch himself seems to admit this. In a statement given to the New York Times, Deitch said :"In the 1970's when I started in the art world, no self-respecting artist would have stood in line to try to get on a television show...It never would have happened." Deitch knows the deal on the wheel! Deitch is a tough cookie. A very hard one. Educated but probably not very cultured, Deitch is not that lovable and likable guy. "He is a difficult specie" told me an artist in New York. "Very hard to work for this guy", said one person who allegedly worked for Deitch.   But why in heavens, these avalanches of souls and desperate artists stood and waited in the streets for hours and hours, under the rain and in the snow, some slept overnight in hard board boxes left by food delivery trucks on the streets sidewalks? Randy Kennedy explained the whole bizarre phenomenon :"But it led into a cavernous gallery where artists would be given a few precious moments to show their work to a panel of judges, including Mr. Deitch, and compete for the chance to land one of eight spots on the television show, which is being made as a pilot and will include seven more episodes if it is picked up. (The pilot was being made for Voom HD, a high-definition satellite network whose fate now appears uncertain, but the show's creators say they will present it to other networks.) The artists who are selected will be given a group show at Deitch Projects. And in the true spirit of reality television, one could emerge as the big winner and be given a solo show at the gallery, which has shown such established art stars as Mariko Mori and Jeff Koons." Sperandio, Fuentes and other executives at the Deitch's gallery claim that, selected artists will not be asked to share a common habitat. They do not have to live together and compete like Joe Millionaire. No extra prerequisites are asked. And now, what to expect?

Photo: The art world of Jeffrey Deitch is more than decadence. It is outrageously vulgar and uglissimo! You are looking at Deitch's poster for  Zhang Huan nudes calendar.

Deitch's art reality show is destined to fail, for it started as a degradation of art and as a public display of mocking the dignity of New York artists. It is more than a vulgar joke. It is a silly, egoistic and  his Holiness Pope Deitch's self-serving propaganda tailored to please those who still need three centuries of rehearsals to become  refuse snobs.  The French would add to my article "Au Suivant!", meaning: NEXT! I enjoyed reading what Charlie Finch (Finch is co-author of Most Art Sucks, Five Years of Coagula, 1998) wrote about Deitch (Posted at Artnet website). I love to share some excerpts with you. Here are some "And there was Jeffery Deitch himself, at the Whitney Biennial, passing out invitations to one and all for a big grubfest at an empty Park Avenue bank branch, a happening Deitch repeated two nights later, reportedly bankrolled by bigtime L.A. collector Kent Logan. Ingrid Calamé's ethereal tracings (apparently so hands-on and really fabricated by a student crew of seven) opened at Deitch Projects on April Fool's Day to the applause of many Japanese collectors present, while Deitch restocked his cash-and-carry outlet across Grand Street with inventory by Liza Lou, Jeff Koons, Teresita Fernandez and Vanessa Beecroft. Upcoming spring shows include Zang Huan's Nude-In featuring all buff members of the Seattle art community and the aforementioned Beecroft's installation at the Intrepid Aircraft Carrier Museum. For a guy who agonized for ten years before opening a gallery in the mid-'90s, Deitch appears to blanket Gotham like Batman, mysterious, omnipresent and maybe a little nuts. Never popular with his fellow art dealers, to say the least, Jeffrey remains the target of wild speculation among them.

Photo: Extras auditioning in the nude for Saatchi Show in London. Approximately 150 participants took part in the nude auditions. And in New York City, more than 200 starving artists waited in the streets for hours and hours to audition for Deitch.  Nothing has changed on the landscape of world art.  "Plus ca change, plus ca reste la meme chose!", meaning "The more things change, the more they remain the same."

What exactly is his relationship with Sotheby's, anyway? Is he putting his space at 18 Wooster up for sale? Is Deitch trolling the leases on his two Grand Street spaces to fashion boutiques, looking for a profitable buyout? One worm in the Deitch apple is an alleged abusive relationship between one of Deitch's major stars and a lover this surprisingly unstable artist met on the Internet. Friends of this hot artist describe the relationship as sado-masochistic, including alleged sex at knifepoint and frequent beatings by the inamorated. A senior Deitch staffer told us, "I avoid the lover," who's "no good, violent."

Photo: Deitch Grand Projects at Grand Street headquarters.  Nothing is legally and really "Grand", except the name of the street.

A source close to the artist even told us that Deitch himself has allegedly been threatened by the interloper during planning for an upcoming exhibition. Nevertheless, the art star and the "lover" plan to be married this summer, according to concerned friends. We gave Jeffrey Deitch a chance to respond to these allegations, on the record, at Calamé's opening. A visibly nervous Deitch at first told us, "I don't get into the personal lives of my artists." When asked about reports that he himself had been physically threatened, Deitch didn't deny them, but said, "Overall, I'm not worried." Apparently, feeling he had acknowledged too much, Deitch ended, "You know, Charlie, when someone becomes a big art star, you hear stories everywhere," a crock of frothing B.S. we're not buying for a minute. The Deitch operation has evolved into an all night, non-stop party managed Romanesqually for the inscrutable delectations of its four-eyed emperor. It remains to be seen whether the apple is rotten at its core."

 

MORE ABOUT DEITCH, BY SOMEBODY ELSE. (FROM THE ARCHIVES)

A sure sign the art world is going to the dogs

chew bone

From CNN Correspondent Jeanne Moos

NEW YORK (CNN) -- When Russian artist Oleg Kulik hears that his performance was for the dogs, he's flattered. That's because his two-week performance that ended recently in New York was AS a dog. And though some critics may have had a bone to pick with the show, Kulik through it reinforced his reputation as one of the most prominent figures in the Russian art world. So what if he doesn't speak English. In his role as dog man, he doesn't speak at all. For two weeks, Kulik's performance art exhibit, "I bite America and America bites me," was seen at New York's Deitch Gallery.

dogman

It may not look like art, but Kulik's tail-wagging performance was reviewed by the New York Times, which is a lot more than other more conventional artists can claim. "To watch a human impersonate a dog as thoroughly as Mr. Kulik is extremely disconcerting," the Times' reviewer said. Inside his cage, dog man exhibits a range of behavior, from playful to soulful. His careful study of a dog's natural movement is said to prompt viewers to suspend belief that what's before them is actually a man and not a beast. Dog man for the most part was more bark than bite, although he was not restrained by a leash and he was known to leave bite marks. Spectators were encouraged to enter his cage, but they had to don a protective suit. Gallery owner Jeffrey Deitch calls dog man a landmark in the history of radical performance art. He said it's a powerful image meant to provoke thoughts about what separates man from dog. For two weeks, Kulik never left his cage or his canine character. He was taken nude in a minivan to the airport, and finally donned clothes before boarding a flight to Moscow. The idea is to someday profit from the sale of documentary footage -- and even the cage bars and door -- as relics.

 

ARTISTS OF THE MONTH: World-Class Jewish Artists.

TSEPORA

 

 

 

 

 

Tsepora has performed a wide variety of roles and repertoire ranging from Opera, Art Song and Oratorio to Broadway standards. She also has a soundtrack to her credit - for a 1998 animated film featuring Beethoven's Ninth Symphony. Her career highlights include singing solo roles in A Midsummer Nights Dream and Leonard Bernstein's Mass with the Calgary Philharmonic Orchestra under the direction of Maestro Hans Graf and in Elijah with the Calgary International Organ Festival. Since 1995, Tsepora's numerous appearances with and on behalf of Calgary Opera include performances in Carmen and in Rigoletto, and performing opera solo excerpts on Calgary's A Channel Television and for the Devonian Concert Series. She has sung in 10 Calgary Opera productions as a member of the chorus and can be heard on the CD, Celebration, Favorite Opera Choruses. Her singing has garnered Tsepora many awards and scholarships. In 2000, Tsepora performed Yiddish music for the B'Nai Jeshurun Synagogue in New York. And in March 2001, Tsepora was a featured guest entertainer at the Calgary Philharmonic's Black Tie Winemaker's Dinner. Spring 2001 marked her debut concert at the Beth Tzedec Synagogue in Calgary and the release of her first CD, A Timeless Journey Through Jewish Song. A special featuring Tsepora aired across Canada January 2002 on CBC Canada. For the past five years, Tsepora has performed the cantorial music for High Holidays at Temple B'nai Tikvah in Calgary. Tsepora's new CD, Atonement featuring music from the Jewish High Holidays was released in the summer 2004. Tsepora continues to perform her one-woman show across the country with performances in Winnipeg, Hamilton and Toronto. In September 2003, she performed for the Jewish Foundation of Manitoba's Endowment Book of Life Concert for over 600 people.

Photo: Tsepora recent CD: "Atonement". Total running time is 69 minutes 33 seconds. The CD is a pure delight.

And in June 2004, Tsepora was one of the featured entertainers for 1200 patrons at the Simon Wiesenthal Tribute Dinner in Toronto. Re-discovering the soulful spirit of Jewish music, Tsepora's classical voice has captured the essence of Judaism to create a passionate and unique musical experience. What the critics and the press wrote: "Calgary Jewish opera star enthralls crowd at Jewish Foundation Endowment Book of Life Concert. …She appeared to enjoy performing here as much as the crowd at Etz Chayim, who often clapped along and awarded her a standing ovation." The Jewish Post and News Winnipeg, Manitoba, September 24, 2003. “A rare talent who captures the beauty and spirit of very song she sings”. CBC (Canadian Broadcasting Corporation) TV producer Lorna Sandberg. 


 

ALBUM COVERDAY OF REST by RAHEL JASKOW.

A collection of songs for the Jewish Sabbath recorded in a unique way: one vocalist acting as a small a-cappella choir. Winner of the Just Plain Folks award for best ethnic album of 2001. Rahel Jaskow's CD, "Day of Rest," consists mostly of songs for the Jewish Sabbath. Expertly recorded and mixed by fellow CD Baby artist Ray Scudero of Argaman Studios in Israel, Rahel's disc pioneers a new genre in Jewish music. Rahel has recorded nearly every song in multiple voices, without musical accompaniment, to give the effect of a small a-cappella choir. Rahel's clear, bell-like voice and harmonious vocal arrangements guide the listener to a quiet, tranquil place and make the spirit soar. Although the songs are mostly in Hebrew (except "Lullaby in C," which is sung both in English and in Rahel's Hebrew translation), their message is clear to speakers of any language: to take the time to rest and refresh ourselves. "Ms. Jaskow's voice quality is rich, enchanting and extremely appealing as an Israeli-style 'traditional folk' artist." -- Judith Pinnolis, Jewish Music WebCenter. Rahel appears as a guest artist on Hanna Yaffe's "Lullabies from Jerusalem," Shuly Nathan's "Open Roads" and "Mostly Carlebach," and Ray Scudero's "With the Help of Angels."

 

Reuben Hoch Blends Daring Imposing Innovation and Astonishingly Vibrant Musicality.

Drummer and composer Reuben Hoch was born in Brooklyn, New York in 1959. He was raised as an Orthodox Jew, attended Yeshiva, and prayed in the synagogues of various Chassidic Sects, including Munkatch and Satmar. He began playing the drums at the age of 12 and became interested in jazz while in high school. He began playing professionally at the age of 16. By the time he was a senior in high school, Reuben was quite active on the New York jazz scene and recorded with his first group, Repercussions. Heavily influenced by Art Blakey, Tony Williams, Jack DeJohnette and Elvin Jones, by age 19, Reuben was playing with Art Blakey sidemen Valery Ponomaerov, David Schnitter and Lonnie Plaxico. He remained musically active throughout college and while attending medical school in Tel Aviv from 1984 to 1988, became a member of the Israeli jazz quartet Zaviot. Zaviot toured extensively throughout Europe performing in major festivals, winning an award for most originality in the Red Sea Jazz Festival in 1986.

Reuben has appeared on many albums including two as a leader of his own group, The RH Factor, which features Miles David alumnus Dave Liebman. Reuben's debut CD was recorded live at New York's Knitting Factory. Amongst the many musicians that Reuben has performed and recorded with are Greg Osby, Lonnie Plaxico, Jim Pepper, Ron McClure, Don Friedman, Joey Calderazzo, Ed Schuller, Leni Stern and Jeff Andrews. He was co-leader of the group West End Avenue, which featured the great Native American Saxophonist, Jim Pepper. West End Avenue released four CD's. The group's 1989 release "West End Avenue ", featuring Jim Pepper, Christoph Spendel and Ron McClure, was record of the month in Germany. This recording, which contains two of Reuben's original compositions, was given three stars in "The Penguin Guide To Jazz On CD".  The Chassidic Jazz Project, Reuben's most recent effort, combines traditional Chassidic melodies with contemporary jazz arrangements. For Reuben, this project is the realization of a dream

DISCOGRAPHY OF REUBEN HOCH:

 

 

 

 

 

From L to R: #1. If I Only Knew 1995 Bellaphon/L+R CDLR 45102, Reuben Hoch and The RH Factor. #2. Live in New York 1994 Bellaphon/L+R CDLR 45074, Reuben Hoch and The RH Factor. #3. With  Cristoph Spendel - City Kids 1994 TCB LC 5370.

SARAH JANE CION: Winner of the 17th annual Great American Jazz Piano Competition

SHE IS AUTHENTIC, POWERFUL, CLASSY WITH UNSURPASSED TALENT AND MUSICAL WEALTH!

Sarah Jane Cion was the 1st Place Winner of the internationally acclaimed 17th Annual Great American Jazz Piano Competition held in Jacksonville Florida on November 11th, 1999. The judges were Horace Silver, Kenny Barron, Ellis Marsalis, Benny Green and Bill Charlap. Ms. Cion’s trio performed in Japan at the prestigious Fukuoka Blue Note for the month of January in 2000 and Sarah appeared on the Nationally syndicated NPR radio show “Piano Jazz” with Marian McPartland on February 8th, 2000.  Sarah has performed with young and older jazz legends such as Clark Terry, Al Gray, Etta Jones, Dave Leibman, Ron McClure, Dennis Irwin, Elliot Zigmund, Dr. Lynn Christie, Della Griffin, Ralph Lalama, Don Braden, Santi Debriano, Alan Harris, Philip Harper, Alvester Garnett, Lonnie Plaxico, and many others. She is often found performing with New York City mainstay big bands such as the Lew Anderson Big Band at Birdland and The Spirit Of Life Ensemble at Sweet Basil and is currently performing with bestselling author and tenorman James McBride Her debut CD, Indeed! features alto saxophonist Antonio Hart, drummer Tony Reedus and other young jazz giants. Her second CD Moon Song was released internationally on the Naxos Jazz label in May of 2000 featuring Phil Palombi, Chris Potter and Billy Hart.Moon Song was the 4th best selling Modern Jazz album in Japan in April 2000, and reached number 15 on the U.S.Gavin Reports on June 22nd, 2000. Her third CD, Summer Night was released in October of 2001, featuring saxophone giant Michael Brecker, and the reprise of Billy Hart and Phil Palombi. On February 25th, 2002, Summer Night reached number 12 on the Yellowdog Jazz Charts. The Sarah Jane Cion Trio was the opening act for the George Coleman Quartet at the Mellon Jazz Festival in Pittsburgh in June of ‘98, and her quartet was featured in the JVC Jazz Festival in New York City later that summer. In May of 1999, her trio headlined at the Kennedy Center for the prestigious Women In Jazz Festival. The trio also performed at the Freihofer’s Jazz Festival in June of 2000, the Indy Jazz Festival in July, and Cion was featured as a solo pianist at the DuMaurier Atlantic Jazz Fest in Nova Scotia, Canada later that month.

The Sarah Jane Cion Trio was presented in concert by Savannah On Stage in March of 2001, and at the Smithsonian Institute-Voice of America Stage in Washington D.C. in May of 2001. Cion has toured Israel, Portugal, Japan and Germany, and in July of 1996 Sarah worked side by side with Monty Alexander in his jazz workshop in Verbier Switzerland to assist and perform during the course of the week. Sarah’s original song, It’s Christmas Time, Once Again, was a finalist in the internationally acclaimed 1997 John Lennon Songwriting Contest. Sarah’s music is currently being featured on the WABC TV soap All My Children in the Valley Inn Dining Room. Her entry of the CD release It Could Happen to You with the Herve Jeanne Trio was a Jazz Podium winner, and Sarah was flown over to perform five concerts in Northern Germany in October of 1998, and May of 2001.

Sarah Jane Cion graduated from the New England Conservatory in 1990 with honors and distinction in composition and performance. Cion was the recipient of the 1988 Boston Jazz Society Award, and she was chosen as one of four pianists to attend the Banff School For the Arts in 1991 with an all-star faculty of Steve Coleman, Rufus Reid, Kevin Eubanks of the “Tonight Show” orchestra, Marvin “Smitty” Smith, Kenny Wheeler and Dave Holland. Her forthcoming performances:

 

OUTSTANDING JEWISH PERSONALITIES

TED ROSENTHAL: SIMPLY PHENOMENAL!

Ted Rosenthal was born and raised in Great Neck, Long Island -- a suburb of New York City. At the age of six, Ted started piano lessons and promptly quit after a few months because he wanted to improvise while his teacher insisted that he read the notes on the page! After playing rock guitar and trumpet in the school band, Ted came back to the piano through a strange and fortuitous event...Tony Aless, a studio musician and jazz pianist who recorded with Charlie Parker and Stan Getz, opened a teaching studio in Great Neck. Tony's son was cold calling through the phone book and while Ted and his parents were having dinner, the phone rang. Ted was offered a free piano lesson and (at his parents' insistence) he took one. As soon as Tony gave Ted a demonstration of jazz piano, Ted was hooked. Ted studied with Tony for two years from the ages of 12-14, and continued to study both jazz and classical piano through high school. He studied briefly with Jaki Byard and Lennie Tristano and attended workshops with Billy Taylor, Woody Shaw and others. After high school, Ted attended Manhattan School of Music and received a Bachelors and a Masters Degree in Piano Performance. After college he continued his piano studies with Phillip Kawin while playing jazz locally around New York whenever he could. Ted entered the international spotlight by winning first prize in the second annual Thelonious Monk International Jazz Piano Competition in 1988. He has since released 9 CDs as a leader. His latest, One Night in Vermont is a duo performance with legendary trombonist Bob Brookmeyer. Together, they explore great American standards spinning out a seemingly endless array of ideas while never losing sight of the joyous swing associated with these songs. In 2003 Ted released Expressions, a quintet date that features his original compositions. The 3B's, and ThreePlay, both on Playscape Recordings were released in 2002 and 2001 respectively. The 3B's, which received 4 stars from Down Beat Magazine, features solo renditions of the music of Bud Powell, Bill Evans and his strikingly original improvisations on Beethoven themes. His previous CD, ThreePlay is a trio outing featuring Dennis Irwin and Matt Wilson, which explores Rosenthal originals and jazz standards with an invigorating and free spirited approach. Previously, Ted recorded Rosenthology on Concord Jazz, with Michael Formanek and Billy Drummond. This trio CD also creatively combines standards, jazz classics and original compositions.  Ted received great accolades for his solo piano CD recorded on the prestigious Live at Maybeck Hall series. His critically acclaimed CD Images of Monk, enlists the robust sound of a sextet to accentuate his highly original arrangements of Monk compositions. Ted's CDs feature some of the top names in jazz, including Ron Carter, Billy Higgins, Tom Harrell, Dick Oatts, Brian Lynch, Mark Feldman and Marvin "Smitty" Smith.

Ted toured for three and a half years with the last Gerry Mulligan Quartet. He recorded three CDs with Mulligan and performed in major jazz festivals throughout the world. After Mulligan's death, Ted became musical director of The Gerry Mulligan All Star Tribute Band, featuring Lee Konitz, Bob Brookmeyer and Randy Brecker. The group recorded the Grammy nominated CD, Thank You Gerry, on Arkadia Jazz. As a busy sideman, Ted was a member of the Art Farmer Quintet. Additionally he has performed with the Jon Faddis, Benny Golson and James Moody Quartets, and with the Phil Woods and Joe Chambers Quintets. As an active New York freelancer, he has also performed with Wynton Marsalis and the Lincoln Center Jazz Orchestra, The Carnegie Hall Jazz Band and The Vanguard Jazz Orchestra. Rosenthal is also the pianist of choice for many top jazz vocalists including Helen Merrill, Mark Murphy and Ann Hampton-Callaway. Ted has appeared on Marian McPartland's Piano Jazz on National Public Radio and performed with David Sanborn on NBC's Night Music. A recipient of three performance grants from the National Endowment for the Arts, Ted regularly performs and records his compositions, which include jazz tunes and large-scale works. The Survivor, his concerto for piano and orchestra, was premiered by the Rockland Symphony Orchestra with Ted at the piano. The piece combines written and improvised sections for the piano soloist, reflecting Ted's interest in improvisation within jazz and classical styles. Ted also performs Gershwin's works for piano and orchestra with improvisations adding an extra dimension of vitality and spontaneity to the music. Other classical/jazz crossover performances include solo and featured appearances with The Boston Pops, The Greater Palm Beach Symphony, The Tulsa Philharmonic, The Kansas City Symphony, and The North Carolina Symphony. Rosenthal has also performed in chamber and new music concerts at Carnegie's Weill Recital Hall, Alice Tully Hall and Merkin Concert Hall.

A faculty member of the Manhattan School of Music and the New School University, Rosenthal is active in education and presents jazz clinics throughout the country. He was a contributing editor for Piano and Keyboard magazine and has published piano arrangements and feature articles for Piano Today, and The Piano Stylist.

DISCOGRAPHY:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DID YOU READ LATELY? STARS ILLUSTRATED MAGAZINE. A DE LAFAYETTE WORLDMEDIA PUBLICATION. Editor-in-Chief: Maximillien de Lafayette. CLICK ON THE COVER OR  ENTER

SPECIAL ISSUE OF THE YEAR: WORLD ART CELEBRITIES JOURNAL ENTERTAINMENT, MUSIC AND ARTS YEARBOOK 2005.

STARS ILLUSTRATED

HOTTEST STARS OF THE YEAR.WHO'S WHO OF THE GREATEST AMERICAN FEMALE SINGERS AND STAGE DIVAS! DAME PAULETTE ATTIE: SHOWBIZ STAR OF THE YEAR    

BEST & WORST SHOWS OF THE YEAR  WORLD'S BEST ENTERTAINERS!  

 

DANCE
Israeli Folk Dance
Wednesdays, 7-8 pm (instructional session) | 8:15 pm-12:15 am (open session)
Join us every Wednesday evening for folk dancing and fun with Ruth Goodman and Danny Uziel. No advance registration is necessary. Join us for an instructional session to learn and review today’s folk dance repertoire. This session is geared to those with some knowledge of Israeli folk dance.
92nd Street Y, 92nd Street & Lexingt
on Avenue. For information: 212.415.5737 | www.92y.org

For the past thirty years, Ruth Gould Goodman has explored the realm of the body and spirituality. Through her own unwinding from early pain, she learned that deep inner listening and attunement to the life force in her own body, not only guided her back to her spiritual center, but opened within her a capacity for healing of herself and others. She teaches her students to do just that: align with universal consciousness at the spiritual center of their being to heal their own body/being. Activating the innate power of attention and intention, Ruth accompanies her students on a journey using precise movements of mind and body to rewire themselves back to their birthright as free joyful, creative beings. Once knowledge is firmly grounded in one’s body, ancient esoteric spiritual teachings begin to bloom as present-moment insight. If we have ears to listen and the faith and courage to say ‘YES!” to what is moving through us, we find our life aligning with universal consciousness. From our spiritual center our capacity to choose right action becomes clear.

Ruth Gould GoodmanWith an M.A. in Dance Therapy from New York University, Ruth’s experience, spirals through dance, improvisational performance, yoga, acupuncture (licensed in California) and has evolved to include hands-on energy healing work, yoga instruction based on creative movement and vocal expression and what she refers to as functional philosophy. As a functional philosopher, Ruth translates ancient spiritual teachings that are somehow removed from our moment-to-moment experience into simple aphorisms, using language we can grasp in this current era. Her homespun thinking is stunning in its simplicity and functional because it can be correlated with a perceivable body experience.

 

 

 

 

 

 

DANCE
Israeli Folk Dancing with Tamar and Shmulik
Thursdays at 7 pm

Join us Thursday nights for Israeli folk dancing in the North Gym, led by the well-known and loved Israeli dance teachers Tamar and Shmulik. Beginners can get started with an introductory hour-long session from 7-8pm. Dancers of all levels are invited to join in for the rest of this fun-filled dance xtravaganza!
This Fall, every Thursday night beginning October 21st until December 30! No registration required. Pay at the front desk in the lobby.
$10 members/$12 nonmembers | Beginners from 7-8 pm, All Levels from 8-Midnight
The JCC in Manhattan, 334 Amsterdam Ave. at 76th St. Call 646.505.5708 for information

 

 

 

 

Events

REDISCOVERING THE JEWISH COMMUNITY OF SALONIKA: PERSPECTIVES AND INSIGHTS GLEANED FROM THE YIVO ARCHIVES

A PRESENTATION BY DEVIN NAAR, HISTORIAN AND LEADING AUTHORITY ON LADINO AND TWENTIETH CENTURY JEWISH HISTORY IN SALONIKA, GREECE

New York- The YIVO Institute for Jewish Research and the American Sephardi Federation with Sephardic House  are co-sponsors of, Rediscovering the Jewish Community of Salonika: Perspectives and Insights Gleaned from the YIVO Archives, a lecture which will be presented by Devin Naar, Project Historian of the Salonika Jewish Community Archives Project at YIVO.  The lecture will take place on Tuesday, August 23, 2005 at 7:00 pm, in the Kovno Room at the Center for Jewish History, 15 West 16th Street, New York, NY 10011.  Free Admission; reservations required.  Mr. Naar is a Doctoral Candidate at Stanford University Graduate Program in Jewish History.  He is the recipient of a 2005 Fulbright Fellowship for the study of Greek Jewry.  One of the few scholars who have mastered solitreo, the handwritten version of Ladino, Mr. Naar, , has specialized in the Jewish history of Salonika in the 20th century with emphasis on the effects of the Great Fire of 1917, which left about 50,000 Salonika Jews homeless. Naar’s great grandfather was a rabbi in Salonika. The ancestral Jewish community of Salonika, which had a population of close to 60,000 on the eve of World War II, was destroyed during the Nazi occupation and 95% of the Jews of Salonika were killed in Auschwitz in 1943.  The YIVO Institute for Jewish Research is the recipient of grants from the Maurice Amado Foundation and the United States Holocaust Memorial Museum for cataloging, microfilming, and the digitization of the Salonika Jewish Communal Archive housed at YIVO.  The American Sephardi Federation with Sephardic House, which specializes in the history of Sephardic Jewry, has provided its intellectual support and bibliographic resources for the project.  An Academic Advisory Committee, consisting of leading scholars of Sephardic and Greek Jewry, has been formed to provide guidance to project staff.

About the YIVO Institute for Jewish Research: Founded in 1925 in Vilna, Poland (now Vilnius, Lithuania), and headquartered in New York since 1940, the YIVO Institute for Jewish Research is dedicated to the history and culture of Ashkenazi Jewry and its continuing influence in the Americas.  As the only pre-Holocaust scholarly institution to successfully transfer its mission to the United States, today YIVO is the preeminent resource center for East European Jewish Studies; Yiddish language, literature and folklore; and the American Jewish immigrant experience. The YIVO Library holds over 360,000 volumes in 12 major languages; the Archives holds more than 23,000,000 archival pieces on East European and American Jewish subjects. YIVO offers a series of public programs, exhibitions, research opportunities, graduate fellowships, publications, conferences, and Yiddish language classes.

About American Sephardi Federation With Sephardic House: The American Sephardi Federation with Sephardic House is a national organization dedicated to strengthening and unifying the American Sephardic community and promoting its history, cultural and social traditions.  Since its arrival at the Center, ASF’s archival holdings and library have been enriched with valuable records of personal and community history. Sephardic House celebrates the uniqueness of the Sephardic culture through its annual International Film Festival, publications and exhibition.

About the Center for Jewish History: In 2000, the Center for Jewish History, located in the heart of the historic Chelsea district, became the home of five distinguished partner institutions—the American Jewish Historical Society, the American Sephardi Federation, the Leo Baeck Institute, Yeshiva University Museum, and the YIVO Institute for Jewish Research.  Sharing a common vision of preserving and presenting Jewish culture and history, the five partner institutions in coming together, have created a meeting place where intellectual inquiries are exchanged and freely explored, and where the general public can find cultural programs devoted to a wide variety of themes and concerns. The combined holdings of the Center’s partners include over 100 million documents, books, art, artifacts, photos, and other materials, making the Center the largest repository of Jewish history and culture outside the State of Israel.

 

 

AT SATALLA

Alicia Svigals & Mikveh with special guest Marilyn Lerner. Monday, September 19 at 7:30 PM. Admission is $15

Photo: Alicia Svigals

Alicia Svigals & Mikveh began when Obie-winning playwright Eve Ensler called Alicia Svigals to put together an all-star group of female klezmer musicians to join a host of celebrity performers at her gala event V-Day in New York. As a founding member of the Klezmatics, Svigals was well- positioned to do just that, and she called singer Adrienne Cooper, accordionist Lauren Brody and bass player Nicki Parrott. The group rocked the house at their very first performance at the Hammerstein Ballroom Theater and then at Madison Square Garden for the second V-Day, sharing the stage with Whoopi Goldberg, Oprah Winfrey, Lily Tomlin, Glenn Close, Phoebe Snow, and Brooke Shields among others. Soon afterwards trumpeter/vocalist Susan Hoffman Watts joined the group and kicked up the excitement one more notch. Since then, Mikveh has brought their unique woman-inflected spin on Jewish roots music, both traditional and brand-new, to audiences around the U.S. and Europe. Exhilarating jazz pianist/improviser Marilyn Lerner performs to acclaim internationally, from her native Montreal to Havana, from Jerusalem to Amsterdam and the Ukraine. Her groundbreaking recordings have garnered recognition, including “Best Jazz Recording 2004” for her “Special Angel” duo with legendary guitarist Sonny Greenwich. This show is presented in association with the New York Jewish Music and Heritage Festival.

Jaroslav and Sheesha.  Tuesday, September 20 at 10:00 PM. Admission is $15

In association with the New York Jewish Music and Heritage Festival Satalla presents Jaroslav and Sheesha. Jaroslav is a saxophonist/composer/arranger born in Czechoslovakia. In Israel, Jaroslav is a well known musician, having worked with Shalom Chanoch, Chava Alberstein, Margalit Zanani, and more. A former Columbia Records recording artist, Jaroslav has worked with Bette Midler, Paul Simon, Carly Simon and other U.S. musicians.

 

Victoria and Richard MacKenzie-Childs present "Lilia", written and performed by the fabulous Libby Skala aboard THE YANKEE FERRY in TriBeCa.

 

 

 

 

 

 

 

 

 

Photos: "Libby Skala, one of the best in the business, will dazzle you in her tribute to her grandmother "Lilia". A superb theatrical one-woman show performed by a world-class artist. Ms. Skla is a national treasure. A most outstanding artist at many levels. Go see her show. It could be one of the most enjoyable and fascinating entertainment experiences of your life.", wrote Maximillien de Lafayette, WJNA editor-in-chief and arts critic of the International Herald Daily News, London.

"One actor, cloaked in magic…Ms. Skala does a marvelous rendition, in an evocative Middle European patois, of her grandmother’s velveteen, old world charm.  An adoring portrait…deliciously poignant…Libby Skala is magnetic in a part that clearly means the world to her.” THE NEW YORK TIMES. Photo #2. Libby Skala in LILIA! by Doug Miner. 

 

NEW YORK, NY–  Victoria and Richard MacKenzie-Childs present one performance only of Libby Skala’s one-woman show LiLiA! on Tuesday, August 23, 2005 aboard the oldest running ferry boat in the world The Yankee Ferry, which served Ellis Island during the height of immigration to America, located at Pier 25 @ North Moore Street in TriBeCa.  Doors open at 7:00pm, live piano music at 7:30pm, and LiLiA! begins at 8:00 pm. In this autobiographical solo show, Libby Skala portrays her indomitable immigrant grandmother actress Lilia Skala to tell the true story of a woman who overcame extraordinary odds.  Viennese-born, Lilia Skala became Austria’s first female architect, a stage star in Max Reinhardt’s theatre, and finally a penniless Hitler refugee who worked her way out of a New York zipper factory to a career starring on Broadway, television and film. 

 She collected award nominations for her performances in “Roseland” (Golden Globe), “Eleanor and Franklin” (Emmy) and, most notably, 1963 Academy Award and Golden Globe nominations for her role as Mother Superior in “Lilies of the Field” opposite Sidney Poitier. Out of this remarkable journey emerges the humorous and poignant relationship between Lilia and her granddaughter Libby, in which the Grande Dame serves as mentor, role model and at times unwitting adversary.  “In the last conversation I had with my grandmother, she asked me to write a part for her,” said Libby Skala (Playwright/ Actress). “She was an extraordinary woman who had an extraordinary life.  I began developing the show immediately!  I am thrilled to perform this immigrant’s story aboard a boat that ferried passengers to NYC for the first time all those years ago.”  LiLiA! has been performed across North America and at the Edinburgh Fringe Festival.  Libby appears in the film Birth with Nicole Kidman.  Tickets are $20 at the door.  For reservations call 212-253-4236.  Photos and more information are available at