FRONT PAGE Back Cover & Table of Contents Fancy Living Magazine Nov. 2005. Next Page
CELEBRITIES OF THE YEAR: FROM THE MOST BORING TO THE MOST TALENTED
MOST TALENTED AND LUCKIEST CELEBRITIES
ISABEL ROSE

Name: Isabel Rose Height: 5''4''. Nationality: American. Birth Date: May 19, 1968. Birth Place: New York, NY. Occupation: Writer, actress, singer/entertainer Father: Elihu Rose, professor of military history at NYU and scion of the Rose real estate dynasty Mother: Susan Rose, pianist and philanthropist Daughter: Lily, 3 years old. Claim to fame: co-wrote and starred in "Anything But Love," released by Samuel Goldwyn in the states in 2003 and coming soon to Europe; author of the much anticipated Doubleday spring release "The J.A.P. Chronicles." Facts: In addition to her fiction and film credits, Isabel performs with her swinging band frequently to sold out houses throughout New York. Education: Isabel graduated summa cum laude from Yale University and has a MFA in fiction and literature from Bennington College. Awards: She won Best Up and Coming Actress at the San Diego Film festival for her star turn in "Anything But Love." The film itself won Best Film and Audience Favorite awards at numerous festivals throughout the country Agent: UTA.
BIOGRAPHY SYNOPSIS: Isabel was born and raised in Manhattan where she attended the Nightengale Bamford School for girls and Dalton. After graduating summa cum laude from Yale with a double degree in American Studies and theater, she went directly to the prestigious Williamstown Theater Festival where she appeared for three summers in a variety of productions, including Marat Sade, A Funny Thing Happened On the Way to the Forum, and A Three Penny Opera. She starred off-Broadway in Beau Jeste, at the Lambs Theater, and reprised the role in Washington, DC at the Ford Theatre. She was also seen all over the country in the first national tour of Six Degrees of Separation. Isabel then took a few years off from acting during which time she received an MFA in fiction and literature from Bennington College. She also spent those years teaching in the public school system and ultimately created a CD of children's songs. She married in 1998 and moved to London, but returned to New York in 2000 when her film, "Anything But Love," was picked up for production. After winning numerous awards at festivals including a Best Up and Coming Actress award in San Diego, the film was distributed in the United States by the Samuel Goldwyn company in 2003. The same year saw the two book deal with Doubleday, the first of which will be released in May of this year. In addition to her career as a writer and actress, Isabel performs regularly as a singer with a nine piece band, playing to sold out houses in New York. No longer married, Isabel lives in Tribeca with her 3 year old daughter.
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CELEBRITIES OF THE YEAR: FROM THE MOST BORING TO THE MOST TALENTED
MOST TALENTED AND LUCKIEST CELEBRITIES
ISABEL ROSE
Isabel
Rose, star extraordinaire , co-writer of the film Anything But Love
and author of the upcoming Doubleday novel The J.A.P Chronicles
(Hardcover:
256 pages. Publisher: Doubleday; 1st edition (May 17, 2005.
ISBN: 0385512864)
is a fascinating artistic phenomenon. Highly educated, cultured,
sophisticated, a renaissance woman, writer, director, producer, performer,
entertainer., essayist, motion picture star and your kind of a gall.
Her novel comes out in March "which she is fashioning a new show around" said her publicist, Scott Klein from Keith Sherman and Associates . Ms. Rose will also appear at Makor in February 2005. Isabel Rose is quite an extraordinary artist-entrepreneur. In addition to her multidimensional talents as a motion pictures star, writer, director, author, novelist, cabaret effervescent entertainer, Ms. Rose is a phenomenal raconteuse, a captivating story teller. Most recently, I had an awakening glance at this New Yorker sparkling star. HI do strongly believe that Rose is probably one of the most daring, intelligent and sweetly captivating divas. Besides, being very smart with crafty soft spoken style, Rose is "Diva Persona" a la Isabel Rose. She is real, highly talented with visions and warmth."

Photos:
The stunning Isabel Rose in "ANYTHING BUT LOVE".
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MOST TALENTED CELEBRITIES
JESSICA BURSTEIN

Name:
Jessica Burstein. Birth Name: Jessica Burstein. Height:
5''.6''. Nationality: American. Birth Date: September 11,
1976. Birth Place: Portland, Oregon. Occupation: Actress,
director, writer. Father: Neil Burstein (accountant; American;
divorced 1994). Mother: Ilene Burstein (nurse; American). Claim to
fame: She has appeared in six independent films, and starred as Lola in
SUMMER THUNDER, currently being released on DVD by TLA. Facts: From
2002-2003, she wrote and directed her first film, VERONIKA'S BIRTHDAY, a
forty-minute dramatic comedy. Ms. Burstein grew up Jewish in North Carolina,
a history which influences her vision as a filmmaker. Ms. Burstein taught
video production in New York City at the YWCA La Puerta Early Learning
Center, through a grant from the United Way. Presently, she is a
professional observer at the Actor's Studio and co-writing her first feature
with playwright Sara Saldutti. Education: Improv at the
Upright Citizens Brigade, New York, New York; MFA in Photography and Related
Media from the School of Visual Arts, New York, New York; BA in
International Studies from University of North Carolina at Chapel Hill.
Filmography/Awards: She won a special
recognition award for outstanding direction and performance at the Arizona
International Film Festival in 2004 for her film VERONIKA'S BIRTHDAY. She
also won Best Film, Best Director, and Best Screenplay at the Fall 2004
Short Film Screening Series, New York, New York. Manager: Charlene
Turney, 484 west 43rd street
apt#11-S, New York, USA, 10036.
BIOGRAPHY SYNOPSIS: First-time filmmaker Jessica Burstein earned her MFA
in Photography and Related Media from the School of Visual Arts. Ms.
Burstein grew up Jewish in North Carolina, a history which influences her
vision as a filmmaker. She has appeared in six independent films, and
starred as Lola in SUMMER THUNDER, currently being released on DVD by TLA.
Ms. Burstein taught video production in New York City at the YWCA La Puerta
Early Learning Center, through a grant from the United Way. Presently, she
is a professional observer at the Actor's Studio and co-writing her first
feature with playwright Sara Saldutti. Jessica is on her way to the top.
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MOST TALENTED CELEBRITIES
RHE DE VILLE

Name:
Rhe De Ville. Birth Name: Mary Frances Grabowski. Height:
5'.9". Nationality: American. Birth Date: August 15. Birth
Place: Lancaster, Pennsylvania. Occupation: Singer, Actress,
television series creator. Husband: Scott Schedivy (photographer). Father:
Thaddeus J. Grabowski (Polish-American). Mother: Frances
DeVilbiss (Dutch-German-American). Claim to fame: Self-proclaimed,
quintessential "late bloomer": "eventually your passion and talent will find
success if you keep believing...." Facts: In the summer of 2002, she
conceived of her television series Damsel In This Dress, began
developing its concept presentation and is currently pitching it to
production companies and cable channels. Education: Temple University
Philadelphia, PA; Lee Strasberg Theatre Institute, New York, NY; Phil Gushee,
Private Study Sanford Meisner Technique, New York, NY; Helen Baldassare,
Cabaret Performance Workshop, New York, NY. Filmography: Quick
Change (Bill Murray, Geena Davis) 1990. Theatre: Off Off
Broadway production, HARDBOILED, beginning January 19. 2005.
Television: Urban Anxiety, pilot, Fox Television, 1992


THE
DE VILLE SIGNATURE: "Rhe De Ville! This is what and who you call "The
Ultimate Diva of Elegance, Class, Glamour, Presence and Intelligent
Virtuosity". This woman symbolizes the essence of refined and passionate
cabaret. First class. La crème de la crème." Wrote Maximillien de Lafayette,
our Editor-in-Chief and Entertainment critic.
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MOST TALENTED CELEBRITIES
RHE DE VILLE
BIOGRAPHY SYNOPSIS: The youngest of nine children, RHE DE VILLE was raised singing in a musical family. Studying at Temple University in Philadelphia; the Lee Strasberg Theatre Institute in New York City then privately with Sanford Meisner protégé Phil Gushee, Rhe was awarded small roles in feature film and television. She then returned to her musical roots and discovered an affinity for the songwriters and vocalists of American Popular Music of the 1920's-1950's, as well as the smoky, elegant, sophisticated glamour of New York's High Society during that time.


Soaking up Manhattan's rich cultural past, she gravitated toward these timeless classics and became passionate about breathing new life into the songs for present generations: striving to preserve their musical history as well as her own artistic integrity. Her meticulous aesthetic and relentless passion for glamour and elegance fuel her vision of a modern-day New York High Society that still swirls, sups, cocktails, luxuriates & indulges. In 1998 she began performing at upscale Manhattan clubs and recorded her first CD, Empire State Radio With Rhe De Ville in 1999. The success of this CD led her to top the Jazz charts on mp3.com as well as higher-profile NYC engagements. In 2002-03, Rhe performed at Carnegie Hall with the prestigious Collegiate Chorale. In Jan 2002, she began an intensive study with award-winning cabaret performer and instructor Helen Baldassare.
In
the spring of 2004, Rhe entertained luminaries from all over the world at
the newly unveiled Mandarin Oriental Hotel in Manhattan's
splashy new AOL/Time Warner Center. She is currently pitching her
original television series concept, Damsel In This Dress, to
producers and cable stations. Her second CD, Echoes Of My Heart,
with original compositions by songwriter Nancy Zigelbaum. is
garnering critical acclaim prior to its upcoming release in December 2004.
Currently, her 3 loves: music, theatre, and cabaret will finally unite in
HARDBOILED: her upcoming Off Off Broadway appearance opening
January 2005 at the Belt Theatre in Manhattan. Maximillien de
Lafayette wrote: "Rhe De Ville, is most certainly, one of the most striking,
sparkling and refined talented cabaret stars in the business. She brought
class, unsurpassed intelligent talent, glamour and threatening beauty to the
world of entertainment. "


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CELEBRITIES OF THE YEAR: FROM THE MOST BORING TO THE MOST TALENTED
MOST TALENTED CELEBRITIES
NAME: Mary Foster Conklin.
BIRTH NAME: Mary Foster Conklin. HEIGHT: 5’.3”.
NATIONALITY: American. BIRTH DATE: December 29, 1957. BIRTH
PLACE: New York City, New York. OCCUPATION: Vocalist.
HUSBAND: Glenn Bowen (construction grip, currently working on “War of
the Worlds”). FATHER: Edward Foster Conklin (cardiovascular thoracic
surgeon, retired). MOTHER: Carol Francis Wedum. FACTS:
Praised by The New York Times as “a highly creative singer whose style
blends cabaret and jazz so thoroughly as to defy any easy categorization.”
Her most recent recording, You’d Be Paradise, was released in September 2001
to critical acclaim, worldwide airplay and remains a jazz bestseller on
www.CDBaby.com. She is currently at work on a recording of all Matt Dennis
(composer of “Angel Eyes”) music, having recently performed a duo evening
in New York City and later in Santa Monica with Los Angeles vocalist Mark
Winkler entitled “Songs of Matt Dennis and Bobby Troup” – a tribute to two
of the very best composers of the West Coast Cool Jazz Movement of the
1950s.”. EDUCATION: Connecticut College, New London, CT (majored in
Theatre, Circle in the Square Professional Workshop, New York City, NY
post-graduate acting program). AWARDS: 1999 Manhattan Association of
Cabarets and Clubs (MAC) Award for Jazz Vocalist, Her debut CD, Crazy Eyes,
was listed as one of the ten best CDs of 1998 by In Theatre Magazine, and
won the 1999 Bistro Award presented by Backstage Magazine for Outstanding
Recording. QUOTES: "..What
can I say about this type of music I live to sing? It is a mix of styles, by
composers living and dead, best experienced in a live venue. Because so much
of a performance evolves beyond the set roadmap, good jazz musicians will
never deliver quite the same show every night. One dreams of witnessing such
spontaneous moments of well-ordered chaos. That's always what attracted me
to this music, even before I started to work within the realm. That and the
element of risk...I
remember one of the first singing jobs I had. Instead of a set program, the
musicians were just playing standards, which they all knew. Of course I
quickly fell behind because, back then, I still didn't know that many. The
guys all shrugged and said, "Well, you should." And they were right.
Standards act as the common language, a foundation to build on -although I
also remember a wisecrack about the standards from a friend who works in the
Film Business - not a bad guy, actually. "Nice music," he said, "but it's
kind of like Latin.
I mean, doctors use it to write prescriptions, but what else is it good for?" Oh, I don't know. Latin had its day as the universal voice that kept most of Europe from falling apart during the Dark Ages. It's the root of all of the romance languages and sings down pretty sweetly, too. But I digress. ...Recordings are pale substitutes for the real thing, but that's part of the challenge when one ventures into the studio - to capture a few of the flashes of inspiration that are the stuff live music is made of. I've been blessed to work with a great bunch of instrumentalists this time around - all composers as well as players who killed me with their music and kept me laughing when the sessions would degenerate into who knew the best dirty jokes. It's my favorite combination. Musicians love to complain about how under-appreciated they are, yet they make music anyway. They inspire me to hone my craft and then go out and hear someone else when I have a night free. Life is sweeter when the Muse wins out."
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CELEBRITIES OF THE YEAR: FROM THE MOST BORING TO THE MOST TALENTED
MOST TALENTED CELEBRITIES
MARY FOSTER CONKLIN




CONKLIN THE PHENOMENON: "Mary Foster Conklin is a musical gem. A world-class singer. A musical hybrid flirting with 5 seasons, not four. Five seasons of musical passion, intelligence, multidimensional vocal virtuosity encompassing and embracing all genres, styles and intense evocation of the world of cabaret, Jazz, concerts and beyond. She is powerful, but her power is enrobed with musical warmth and affection. She is complex, for Conklin has no "dogmatized" or "limited" genre. The wealth, variety and abundance of her repertoire mocks limitation in music and daring creativity. She is graceful and blessed with a stage presence echoing the flair of Peggy Lee, BUT transcending it, for Conklin has redefined lyricism for Jazz-Cabaret aura, essence and tenderly rebellious cache. Do not attempt to categorize this super magnificent singer. She does not belong to one style. Contrary to all norms in music and musicology, all styles seem to melt in her voice. She simply sparkles, mesmerizes me, enchants me and confuses the hell out of me." Wrote Maximillien de Lafayette, our Editor-in-Chief.
BIOGRAPHY SYNOPSIS: Mary Foster Conklin has appeared in theatres, jazz clubs and cabarets in the metropolitan New York area and throughout the United States. A New Jersey native who came to New York to pursue acting, she was a founding member and Managing Director of the American Line Theatre for six years. Her transformation from actor to jazz singer began over ten years ago when she joined drummer/composer Art Lillard’s 15-piece Heavenly Band and her song selections naturally shifted from show tunes to blues, Latin and bebop. As a leader, her choice of songs has always been an eclectic mix of contemporary material and standards, creating a hybrid sound that combines big band swing, straight ahead jazz, traditional pop and cabaret. Conklin’s talents have earned her a place on the stages of The Blue Note, La Belle Epoque, Danny’s Grand Sea Palace, The Triad Theatre, as well as the yearly Cabaret Convention held by the Mabel Mercer Foundation at Town Hall and throughout the United States. On the West Coast she has performed in San Francisco at The Plush Room, as well as the In House Jazz Series in Los Angeles and the Vic in Santa Monica. She has appeared in Chicago at the Cultural Center and at Park West. Praised by THE NEW YORK TIMES as "a highly creative singer whose style blends cabaret and jazz so thoroughly as to defy any easy categorization." (Terry Teachout). A New Jersey native, she received the 1999 MAC Award for Jazz Vocalist. Her debut recording 'Crazy Eyes' was listed as one of the ten best CDs of 1998 by IN THEATRE Magazine and won the 1999 Bistro Award presented by BACKSTAGE for Outstanding Recording. Her latest project 'You'd Be Paradise' is backed by the quartet of Frank Vignola on guitar, Jon Burr on bass, Bill Mays on piano and Joe Ascione on drums and includes material by such diverse composers as Cole Porter, Tom Waits, Matt Dennis, Stan Getz, Michel Legrand, Bob Dorough and David Cantor. "Mary Foster Conklin shows with her second album that she is one of the most underrated jazz singers working today. Her wonderful unique voice grabs you immediately and doesn't let go. She finds songs from songwriters like Bob Dorough and the amazing David Cantor and infuses them with an amazing amount of musical personality. Highly recommended to all lovers of vocal jazz." (Steve Rubin "Stolen Moments", KZYX & Z, Mendocino County Public Broadcasting). "With this album, Mary Foster Conklin continues her shift from cabaret to jazz singer without losing the better qualities of the former. She retains her excellent diction, showing proper respect for lyrics. But she also uses vocal maneuvers unique to jazz: clever phrasing, pausing for effect, and working to make her voice become one of the instruments... This session is a fortuitous coming together of the vocal art, outstanding instrumental playing, and a play list of notable songs to perform. Highly recommended." - (Dave Nathan - All Music Guide).
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CELEBRITIES OF THE YEAR: FROM THE MOST BORING TO THE MOST TALENTED

MOST
TALENTED CELEBRITIES
MARY FOSTER CONKLIN
"Mary takes risks, using various jazz and blues vocal techniques on eleven popular jazz standards. The approach freshens the music. The musicians keep the spirit bouncy, bluesy and swinging, providing solid jazzy base for Mary to traverse." - (Oscar D. Groomes - "O's Place" Jazz Newsletter). "Hip singer, splendid album. To elaborate - New York-based songstress Mary Foster Conklin, who obviously loves what she does, goes around the block and back to avoid the obvious on YOU'D BE PARADISE. Conklin has a clear and charming mid-range voice, knows how to sell a lyric, and is reinforced by the presence of a world-class rhythm section that knows when to press and when to ease up. She has chosen some lovely melodies, none of which has been restated enough to grow stale, even Porter's classics from the first half of the twentieth century. Dorough's insouciant 'Devil May Care' is a tantalizing curtain-raiser, and his lovely ballad 'But for Now' is no less agreeable, nor are Waits' perceptive 'Broken Bicycles,' Cantor's touching 'Nirvana' or the better-known 'Windmills of Your Mind,' which Conklin says she heard Legrand sing in French on a July 4 evening in the Big Apple. Conklin wraps the package neatly with Dorough / Lynn Gibson's witty 'Right on My Way Home,' ably abetted, as she is on every number, by the impressively compatible foursome of Mays, Vignola, Burr and Ascione who commit themselves uncompromisingly to the task at hand." (Jack Bowers). "Mary Foster Conklin is perhaps an archetypal Jazz/cabaret singer in that she gravitates to material that allows her to strike a comfortable balance between intimacy of delivery and playfully droll interpretation of lyrics...Her voice is one of those soprano instruments with contralto nuances out of which the flow of music never sounds false or forced. Her supporting quartet is always pliant and subtle, responsive to the Jazzical traffic signals, be they red, green or amber. The back of the jewel box informs that Jeffrey Klitz arranged the music. He must join the others in reaping credit for an exquisitely conceived and flawlessly executed song recital." (Alan Bargebuhr - Cadence). "All of the elements that made Conklin's first effort so special are back. This includes her uncanny knack for selecting songs that are smart, hip and ideally suited to her artistry. Once again she employs the terrific arranging skills of Jeffrey Klitz, and two of the players who provided such excellent backing are back-Bill Mays on piano and Jon Burr on bass. Joe Ascione sits behind the drums this time and the ensemble is increased by one with the addition of Frank Vignola on guitar. 'You'd Be So Nice to Come Home To' is taken at a good clip; the guys get to stretch out in the middle and MFC plays with the melody in a way that references the improvisations of Anita O'Day. Tom Wait's 'Broken Bicycles,' is given a reading which is poignant without being cloying. 'Don't Get Scared' is a vocalese of the Stan Getz tune with King Pleasure's lyrics. Although the lyrics fly by, MFC gets them out with aplomb, while demonstrating considerable vocal technique in navigating the very tricky melodic line. She really proves her jazz chops on this tune. But possibly my favorite selection (it's difficult to make a choice with so many gems offered) is 'Everything Happens to Me,' which manages to display a lot of what makes Mary Foster Conklin so special. It's a great song, which isn't overdone, it features an excellent arrangement containing a few surprises and it's sung from both the heart and the head. The singer sounds like someone who has taken a few knocks in life ("I've mortgaged all my castles in the air"), but has the wits to survive, who can find beauty in unexpected places, who never settles for the cheap, easy and common and uses all of that to make music." (Michael Colby - www.52ndstreet.com). "She's taken the best of two worlds, cabaret and jazz, and fused them into something new and rare: It's a sultry down-homeyness, or maybe it's a down-home sultriness. Go figure, but go. " (David Finkle - The Village Voice). "A sultry Mary Foster Conklin offered two different sides of the same coin -- unrequited love -- with 'The Gentleman Is a Dope' and 'Glad to Be Unhappy.' This lady is pure velvet." (Robert L. Daniels - Variety). "You might call what Mary Foster Conklin does 'Blue Collar Jazz,' because when she sings, she really goes to work. Stylish without pretension, sexy without posturing, and tasteful without strict boundaries, Conklin is a jazz artist with that always-hoped-for combination of musical chops and sensitivity to lyrics...Conklin has a deep, smoky voice that doesn't wrap itself around a note so much as it taps the note on the noggin and says, 'Be cool!' Her stock in trade is phrasing; she employs deft syncopation to reveal fresh insights in melody and meaning. That method is most apparent in her signature song, "Crazy Eyes" (also the title tune of her CD). Other songs may be arranged more subtly, but phrasing of that nature is always at the center of Conklin's art. Whether delivering a bouncy, uptempo song called "El Cajon" or settling into a piercing, slow ballad like "Small Day Tomorrow," she finds the jazz rhythms that highlight the words rather than using the words to highlight the music." (Barbara & Scott Siegel - TheaterMania.com).
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MOST TALENTED CELEBRITIES
LAUREN FIELD

Name: Lauren Field Height: 5'.7''. Nationality: British. Birth Date: July 15, 1962. Birth Place: London, England. Occupation: Singer/songwriter. Husband: Charles Foskett (British record producer). Father: John Field (Financial advisor). Mother: Yvonne Field (Chocolatier – retired and artist). Son: Gabriel, 10 years. Daughter: India, 6 years. Claim to fame: Has sung with some of the world’s best known artists including Petula Clarke, Bonnie Tyler, Cliff Richard, Elvis Costello and John Farnham. Debut album – “Modern Woman”. Facts: Having had a successful career as a session singer and after taking a break to bring up two children, she is now enjoying promoting her debut album released last year. It is being released across Europe in February 2005, and she will be touring Europe from early in the New Year. She is also in the middle of writing and recording her next album. Education: Webber Douglas Academy of Dramatic Art, Kensington, London, United Kingdom. Also specialised in voice production and voice therapy and studied all forms of dance at the Urdang, Pineapple and Dance works. Record Labels: Shmusicmusic UK. ZYX Records, Germany. Label Management: Right Recordings Ltd. Website: www.shmusicmusic.com
Biography Synopsis: Lauren began her career treading the boards as an actress. She trained at one of the world’s most prestigious Drama Academies – The Webber Douglas Academy of Dramatic Art and went on to perform in musical revues and musicals in London’s West End. Lauren told me: “I loved acting, but singing was the love of my life. It was what inspired me, what drove me. I gradually became more and more involved in singing work. I grabbed the MD of a show I was doing at “The Duke of York’s Theatre” in St Martin’s Lane and said, come and do some gigs with me.
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MOST TALENTED CELEBRITIES
LAUREN FIELD

So we started playing in Clubs and hotels and bars. We’d do a really camp set, a mixture of show tunes, old disco numbers and big ballads. We played a weekly gig in Covent Garden every Friday night. We were a real hit there and it would get crowded with students (a complete fire hazard – once in there was no way out till the end of the night) and one night my future partner, record producer Charles Foskett walked in - and you could say that our eyes met across a crowded room, but actually he had a glass of red wine spilt down his white suit and couldn’t wait to get out! But he gave me his card and said call me, I’ve got some work for you.” Previous Lauren's showbiz and television credits include the BBC's "TOP OF THE POPS", Britain's best known and longest running music show, PEBBLE MILL and THE TUBE. Her live performances include shows at the West End's ADELPHI THEATRE, Covent Garden's ROCK GARDEN for “DIANA, PRINCESS OF WALES” and THE LAUGHING CACTUS CLUB at THE WATER RAT’S THEATRE in Kings Cross. She performed live for both regional, national and international radio including many one hour jazz standards sessions for radio 2 and her own compositions for the BBC and GLR. In addition, Lauren provided distinctive back-up vocals for many well-known National and International artists including: Bonnie Tyler, Petula Clarke, The Who, Kim Wilde, Holly Johnson, Elkie Brookes, John Parr, Elvis Costello, Cliff Richard and John Fernham. But, Lauren had to create her own musical identity. For, honestly, she is as good as those stars and big names in the business. SO? One way to do it. Go all the way and release a great CD/Album. And she did it! Lauren said: "The only trouble was, I was so busy singing back up for other artists, I didn’t feel I was progressing with my own solo career. So in early 1990 I decided, no more. I put an eight piece band together and we toured the country. All my own songs – a kind of country, rock, blues hybrid. It was exactly what was not happening in England at that time.
We did some great gigs but we were broke. So we mixed it up with functions and festivals, culminating in a huge beer festival. I was eight months pregnant! A week later I gave birth to a baby boy – he was four weeks premature. With all that racket I am sure he was thinking – “Get me out of here!” I wrote to producer extraordinaire Charles Foskett and asked him to tell me something, anything funny and unusual about Lauren. Charles told me this about Lauren" The most recent story, I think, displays Lauren’s trooper form of professionalism, and I know she won’t mind me repeating it, as she, with her inimitable self-deprecating sense of humour, saw the funny side. In June, Lauren and her band performed at the Bloomsbury Theatre in London with a host of celebrities for the Teenage Cancer Trust. After playing a storming set she was invited to join Randy Bachman on stage, to sing one of their co-written tunes, followed by two of Randy’s big hits to close out the first half of the evening. Along with Randy’s wife, Denise McCann, Lauren sang back up on “Taking Care of Business” and “You Ain’t Seen Nothing Yet”. The final tune proved prophetic. During a somewhat over-energetic performance on a hot and steamy stage, the very flimsy top that Lauren was wearing gradually slipped down and finally off.
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CELEBRITIES OF THE YEAR: FROM THE MOST BORING TO THE MOST TALENTED
MOST TALENTED CELEBRITIES
LAUREN FIELD

Lauren continued to dance and sing, blissfully unaware that the audience was getting more than they bargained for. When, after what seemed to me like an eternity, she realised what had happened, she didn’t bat an eyelid. Simply continued to smile (in her Lady Godiva stylie) turned to face her band (a very happy band indeed) re-assembled her attire and finished the performance. It was probably the biggest round of applause Randy Bachman has ever had for “You Ain’t Seen Nothing Yet”. My next story again illustrates Lauren’s commitment to her craft. During the Nineties, Lauren spent much of her time touring the country with the eight-piece band she had at the time. It was hard, hard work – playing all sorts of different venues, dragging with them instruments, back line, P.A. and all the usual paraphernalia. When she became pregnant with her first child, she continued to work without any let up. The only thing that changed was how much room she took up on stage. Her last performance was at a huge beer festival where she and the band rocked out for an hour and a half. A week later she gave birth to a son. Lauren is a mother of two. Her son, Gabriel, is now ten years old and her daughter, India is 6. She manages to combine the life of a busy, suburban mum totally involved with her kids and their active lives, with the manic schedule of a recording artist whose career is really taking off. She is very down to earth about it, just saying that she’s no different from any other working mum. I think this is why so many women relate to her and why she is able to reach out and touch people with her work. Years ago, Lauren and her band were booked to play what they were told by the agency, was a very up market, stylish corporate event. On arrival at the venue, it didn’t take them long to realise that a mix up had occurred.
They were approached by a woman in a neck to ankle floral dress. On closer inspection, she was naked but for a bikini and tattooed from head to toe. This was an international Tattoo and Body piercing expose. Men wearing nothing but string vests, with dangling chains, ships anchors and piercing on display in unmentionable places strutted past. Once inside the venue, there was no escape. The job had to be done and classy renditions of “Fly me to the Moon” flew out the window to be replaced by 10000 decibels of “Lick My Love Pump” etc. to a frenzied crowd resembling the alien bar from Star Wars. The only things out of place were the band’s tuxedos and Lauren’s evening dress. The strange thing is, they were re-booked for the following year for double the money. Never did find out how “Bleeding Death Mask” were received at the Fuji corporate event."Lauren has recently released her debut solo album “Modern Woman” to wide acclaim in the UK and she has now signed a Pan-European record deal with major German label ZYX Records. Blast Records in association with ABC Australia now want to sign “Modern Woman” to a considerable deal for the Austral Asian territories. The album was produced by long term partner Charles Foskett and together they are now working on exciting new material for her follow up album. They love the creative buzz which comes from working with other professionals and enjoy in particular productive co-writing sessions for various projects with good friend and long time co/writer Randy Bachman (Bachman Turner Overdrive/The Guess Who). Also multi hit UK writer Peter Callander and Los Angeles based writer Amy Powers (Sunset Boulevard / Barbara Streisand). New co/writes are in the pipeline with hit writer Chris Difford (Squeeze) and Mick Taylor (The Rolling Stones/The Allman Brothers/Little Feat). Lauren’s other recent song writing assignments are for “4 Poofs and a Piano” (who feature regularly each week on BBC’s “The Jonathan Ross Show”). She also has song cuts on the debut album of Sweden’s hot new jazz singer “Caroline W” and also America’s top country artist TG Sheppard. What with forthcoming European tours and record release, writing and recording her next album, the demands of her growing family this Modern Woman is likely to be very busy for the foreseeable future. Charles Foskett produced a double album called “The Anti-Heroin Project. A kind of Band Aid to raise money and awareness for people whose lives had been afflicted by the spectre of drug abuse. “I just got the gig, with another singer, to do all the back up vocals. Everyone who was anyone at that time was on that album. So of course it was a great networking experience and for the rest of the eighties and into the early nineties my mate Lizzie and I did tons of sessions. We were on Top of the Pops, Pebble Mill, The Tube, Wogan (all the big music programmes of the time) and we did loads of radio and live stuff. We also formed a band called “Duchess” and that was when I started writing songs.”
Lauren Field made the cover of World Art Celebrities Journal December Issue 2004. To read more about this splendid singer, read the in-depth article about Field and our interview with her at http://www.worldartcelebritiesjournal.com
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MOST TALENTED AND LUCKIEST CELEBRITIES
TORI AMOS



Name:
Tori Amos. Birth Name: Myra Ellen Amos. Nationality: American.
Birth Date: August 22, 1963. Birth Place: Newton, North
Carolina, USA. Occupation: Actress, musician. Husband: Mark
Hawley (married on February 22, 1998) Father: Edison Amos (methodist
minister). Mother: Mary Ellen Amos.
BIOGRAPHY: Born Myra Ellen Amos, 22 August 1963, North Carolina, USA. Amos was compared early in her career to everyone from Kate Bush to Joni Mitchell. She began playing the piano aged two-and-a-half, and was enrolled in Baltimore's Peabody Institute as a five-year-old prodigy. Legend has it that she was formally ejected for "playing by ear" the songs of John Lennon and the Doors, following six years study. After failing an audition to gain re-entry, Amos concentrated on the bar circuit of Washington, DC, which she continued to do throughout her high-school years, gradually moving to better venues and adding her own material. In 1980, aged 17, she released (under her real name, Ellen Amos) her first single "Baltimore"/"Walking With You" on the MEA label (named after her own initials). She favoured cover versions such as Joni Mitchell's "A Case Of You", Billie Holiday's "Strange Fruit" and Bill Withers' "Ain't No Sunshine", later staples of her 90s live set. Amos then adopted the first name Tori, after a friend's boyfriend's remark that she "didn't look much like an Ellen, more like a Tori". Still the dozens of demo tapes she had recorded since her early teens (mostly sent out by her doting father) failed to give her a break, and she switched tack to front pop-rock band Y Kant Tori Read (a play on words that referred to her previous expulsion from the conservatory). Musicians in the band included guitarist Steve Farris (ex- Mr. Mister ), Matt Sorum (future Cult and Guns N'Roses drummer), Vinny Coliauta ( Frank Zappa ), Peter White (co-writer to Al Stewart ) and Kim Bullard (ex- Poco ), but the production and material (largely co-composed between Bullard and Amos) did her few favours. Amos lowered her profile for a while after this undignified release, though she did appear on albums by Stewart, Canadian songwriter Ferron and Stan Ridgway.



As
she remembers, "After the trauma I crumbled. I was very confused about why I
was doing music." Nevertheless, she persevered in writing her own songs, and
eventually a tape of these reached Atlantic Records' co-chairman, Doug
Morris. Though he saw the germ of her talent, he decided that her current
sound was to the taste of the average American-FM listener, and sent Amos
instead to the UK (and East West Records) so that she might enjoy a better
reception. Amos moved to London in February 1991 and started playing
small-scale gigs around the capital. Her "debut" EP, Me And A Gun, was
released in October 1991, and tackled the emotive and disturbing topic of
her rape by an armed "fan" as she drove him home after a gig. An acclaimed
debut album, Little Earthquakes, followed in January 1992, although the
comparisons to Kate Bush continued (not helped by a similar cover design).
Much of the following year was spent writing and recording a second album
with co-producer and partner Eric Rosse. The result, Under The Pink,
included a guest appearance from Trent Reznor ( Nine Inch Nails ), and was
recorded in his new home - the house where in 1969 Sharon Tate was murdered
by Charles Manson's followers. The first single lifted from it, "Cornflake
Girl", reached number 4 in the UK charts in January 1994. The follow-up,
"Pretty Good Year", reached number 7 in March, and with the album topping
the UK chart Amos confirmed she was now a commercial force. She was heralded
in the press, alongside Polly Harvey ( PJ Harvey ) and Bj”rk, as part of a
new wave of intelligent, literate female songwriters. This was cemented with
the release of the sexually charged Boys For Pele. Quite apart from having a
baby pig suckling on her breast on the cover, the lyrics were a powerful
combination of artistic and erotic liberation. Armand Van Helden's remix of
"Professional Widow" gained a huge club following and secured Amos a UK
number 1 hit. Several of the songs on the follow-up, From The Choirgirl
Hotel, were informed by Amos' recent miscarriage. The album proved to be her
most mature and musically adventurous to date, Amos recording with a full
band for the first time. A prolific songwriting burst led to the release of
the double To Venus And Back the following year.
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